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Béatrice et Bénédict

Opera

Overview

Synopsis

With her cousin dating Claudio, Beatrice always ends up having to talk to his best friend, Benedict. He is so annoying she just cannot help but insult him. But when he goes away to war, she finds herself thinking about him. Can she really have feelings for him, or is her mind just playing tricks on her?

It is rather a surprise to Benedict when he finds out that Beatrice is in love with him. She taunts him and insults him so much, but has she really been hiding feelings for him all this time? He has to admit she is rather beautiful, and incredibly intelligent, and there is just a chance that he might give up his committed bachelorhood for someone like her.

Do Benedict and Beatrice’s friends know them better than they know themselves? Perhaps they will be carried away in the romance of a wedding, and the offer of a pre-prepared wedding contract at the right moment. All it will take is for one of them to swallow their pride and admit their feelings, but will they be able to do it?

Berlioz’s operatic retelling of Shakespeare’s Much Ado About Nothing will give us the answers.

Show Information

Based on
Much Ado About Nothing by William Shakespeare
Category
Opera
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
2
First Produced
1862
Genres
Comedy, Romance
Settings
Period, Multiple Settings
Time & Place
Messina, Sicily, 16th century
Cast Size
medium
Orchestra Size
Large
Dancing
None
Licensor
None/royalty-free
Ideal For
College/University, Professional Opera, Mostly Male Cast, Includes Young Adult, Adult, Mature Adult, Elderly Characters, Medium Cast

Characters

Showing 8 of 11 characters

Character Portrayals

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Songs

Overture

Act I

  • No 1. Chorus ‘Le More est en fuite’ - Chorus
  • No 2. Chorus ‘Le More est en fuite’ - Beatrice, Hero, Messenger, Chorus
  • No 2b. Sicilienne
  • No 3. Aria ‘Je vais le voir’ - Hero
  • No 4. Duet ‘Comment le dédain pourrait-il mourir?’ - Béatrice, Bénédict
  • No 5. Trio ‘Me marier? Dieu me pardonne!’ - Bénedict, Claudio, Don Pédro
  • No 6. Epithalame grotesque ‘Mourez, tendres époux’ - Somarone, Chorus
  • No 7. Rondo ‘Ah! Je vais l’aimer’ - Benedict
  • No 8. Duet ‘Vous soupirez, madame?’ - Héro, Ursule

Act II

  • No 9. Improvisation and Drinking Chorus ‘Le vin de Syracuse accuse’ - Somarone, Chorus
  • No 10. Aria ‘Dieu! Que viens-je d’entendre’ and ‘Il m’en souvient’ - Béatrice
  • No 11. Trio ‘Je vais d’un cœur aimant’ - Héro, Béatrice, Ursule
  • No 12. Distant chorus ‘Viens! Viens, de l’hyménée Victime fortunée’ - Chorus
  • No 13. Wedding March ‘Dieu qui guidas nos bras’- Leonato, Béatrice, Héro, Ursule, Bénédict, Claudio, Don Pédro, Chorus, Notary
  • No 14. Sign ‘Ici l’on voit Bénédict’ - Héro, Ursule, Claudio, Don Pédro, Chorus
  • No 15. Duet ‘L’amour est un flambeau’ - Béatrice, Bénédict, Héro, Ursule, Claudio, Don Pédro, Chorus

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Videos

Quizzes

Guide Written By:

Wendy Silvester

Wendy Silvester

Singer and vocal coach based in the UK.