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The Audition Journey


January 31st, 2010

I recently had the joy (and pain) of auditioning for one of my favorite musicals of all time: Rent. Since the rights to perform Rent opened up recently, hundreds of community theatres have taken up the challenge to put on Jonathan Larson’s masterpiece.

The audition took place at a semi-pro community theatre 5-minutes from my house in Northern California. It seemed like the perfect opportunity.  It had been a few years since I had auditioned for a Broadway musical, so I was nervous.  I had spent the past few years performing in Gilbert and Sullivan operettas and focusing on my day job as a Marketing Manager.  Would I have a chance to be accepted back into the musical theatre community?

I prepared for weeks for my big audition.  The first challenge was choosing an audition song. Given that Rent is a rock musical, singing a traditional musical theatre piece did not make sense. I eventually settled upon Desperado by the Eagles.  I sang the song for whoever would listen: parents, girlfriend, friends and unwitting strangers.  Finally, I had mastered my song.

The next step was to produce my resume and take some new headshots. Taking headshots was enjoyable – except for the stark reality that I had gained 10lbs since my last formal headshot.  Putting together my resume was less painful. With the help of the StageAgent resume builder, creating a professional-looking resume was a snap!

The day of the audition was thrilling. I loved the tension in the waiting room where various young artists prepared to make the best of their 2-minutes of fame.  When my name was finally called, I confidently stood up on the stage and aced Desperado.  Immediately, the Director handed me a packet and said that I was called back next week to sing for the lead role, Roger!

The week before the callback was so much fun! I studiously listened to the Rent CD over-and-over and memorized the songs in the callback packet. My voice felt in tip-top-shape.

Finally, the day of the callback arrived.  Not surprisingly, the production staff was behind schedule, so I spent hours again in the waiting room.  Eventually, they were ready to hear the Rogers. To my amazement, they had only called back two other potential-Rogers.  I actually had a chance of getting cast!

My excitement quickly ended. Due to a clerical error, they had given me the wrong packet of songs to learn!  I tried sight-reading, but it was clear that I was completely unprepared for the songs the Director wanted to hear.  After the callback, one of the potential Mimi’s told me not to worry – they couldn’t possibly blame me for their error! Well, she was wrong. In the hyper competitive world of musical theatre, Directors are always looking for an excuse not to cast someone. Not only was I not cast for Roger, I was not even offered a spot in the chorus.

Oh well. Even if I did not make it to the destination, the journey sure was fun!




Tips on Maintaining Good Vocal Health


November 24th, 2009

Just like an athlete who stays in shape, performers need to ensure that their voice is in tip-top shape at all times.All actors should establish and maintain excellent voice care habits.Following are tips on how to maintain good vocal health.

Don’t:

  • Clear your throat vigorously.
  • Yell, cheer, or scream. Avoid talking in noisy situations: (e.g., at noisy parties).
  • Try to lecture or speak to large audiences without the aid of a sound amplifier.
  • Sing beyond comfortable pitch and loudness ranges.
  • Grunt during strenuous physical exercise.
  • Speak beyond a natural breath cycle: avoid squeezing out the few words of thought without sufficient breath.
  • Whisper and make “special effects” sounds with your voice (i.e., motor noises,cartoon voices, very high or low pitch sounds, etc.
  • Use your voice extensively when you have a cold or when you feel tired.
  • Expose your throat to excessive pollution: cigarette smoke, chemical fumes, etc. Avoid alcohol.
•    Ignore prolonged symptoms of vocal strain, hoarseness, or throat pain.
  • Try to sing loudly at any high pitch that you cannot manage at a quiet volume.

Do:

  • Drink frequent sips of water to clear mucus and moisturize your throat.
  • Use non-verbal noises (such as clapping or ringing a bell) to attract attention
  • Move close enough to the person you are talking with to be heard without yelling.
  • Reduce background noise.
  • Always face the person(s) you are talking to.
  • Use a microphone for public speaking.
  • Breathe out slowly or purse your lips to hold your breath.
  • Speak slowly, pausing often, at natural phrase boundaries. Don’t forget to take a breath.
  • Use a soft voice instead of a whisper.
  • Rest your voice, with the rest of your body, when you’re ill or tired.
  • Maintain proper moisture in your throat. Smoke dries the throat.
  • Drink plenty of non-caffeinated, non-alcoholic beverages.
  • Consult your doctor if you experience throat discomfort or hoarseness for more than fourteen days.



Phantom of the Opera Sequel


November 9th, 2009

The Phantom of the Opera sequel titled “Phantom: Love Never Dies” is soon to become a reality. The show is scheduled to premier at London’s Adelphi Theater on March 9, 2010 and then opens in New York on November 11 and in Australia in 2011. An opening in Shanghai, China is also in the works which would be groundbreaking for Broadways’s push into the China market.

The Phantom of the Opera is based on the French novel by Gaston Leroux. The show originally starred Sarah Brightman, Lloyd Webber’s former wife, and Michael Crawford.

According to www.thephantomoftheopera.com, Lloyd Webber’s musical version of The Phantom of the Opera is the  most successful piece of entertainment of all time, produced in any media. The Broadway production played its 9000th performance on September 17, 2009. It is estimated that Phantom has been seen by more than 100 million people worldwide having been played in no fewer than 14 languages.

Love Never Dies continues the story of The Phantom, who has left his lair at the Paris Opera House and, 10 years later, is haunting the fairgrounds of New York’s Coney Island.

Ramin Karimlooo will play the Phantom in the sequel, having performed in the original in London, and Sierra Boggess, who played the lead in Disney’s Broadway musical “The Little Mermaid,” will play Christine.

Sadly, composer Andrew Lloyd Webber was recently diagnosed with prostate cancer and undergoing treatment. The Oscar-winning 61-year-old, who wrote hit songs including “Don’t Cry For Me Argentina” from “Evita” and “Memory” from “Cats,” said that his latest work did not return to the original Phantom score barring “a couple of tiny, musical moments.

My personal thoughts: Lloyd Webber is taking a big artistic risk with this sequel. I absolutely loved Phantom and hope this sequel is nothing less than amazing. More often than not, sequels disappoint (i.e. the most recent Star Wars movies). If Love Never Dies flops, it would be a major blemish to Andrew Lloyd Webber’s distinguished career.




Do Stand-Up Comedians Make Better Actors?


August 11th, 2009

I love stand-up comedy. Recently, I had the privilege of attending live performances by two great comedians, Greg Giraldo and Chelsea Handler. Both comedians kept me laughing constantly during each of their hour-long sets. They both were masters at exposing their own vulnerabilities and truly making it feel like they were just having a friendly conversation with the audience.  While the comedians clearly had some scripted material, it was their ability to improv and roll with the punches that truly showed their greatness.

After watching these two stars in action, I realize why stand-up has historically been a great way to break into acting.  Performing stand-up comedy is clearly difficult.  Rising to the top of the comedy industry requires tenacity, luck and tons of talent.  But there is no doubt that mastering stand-up comedy can lead to success as an actor.  Stand-up comics are masters of stage presence.  Even without an agent or leading roles on their resume, successful comics can build up their reputation within the entertainment industry.

Jerry Seinfeld, Roseanne Barr, Bill Cosby and Ray Romano are just a few examples of comics who have transitioned into sitcom stars.  These comics have mastered the ability to NOT act.   Whether they are on stage or on screen they always look like real people with real vulnerabilities having real conversations.

Of course, there are plenty of successful actors who are not good at stand-up comedy.  But I believe that all actors can learn from stand-up comics.  And anyone who is serious about acting should study and excel at improv.




Introducing StageAgent Pro


August 3rd, 2009

Over the years, we at StageAgent have worked tirelessly to provide the best audition preparation tools on the Web. We have built up libraries of thousands of plot summaries, character descriptions, monologues, songs and audition listings. Casting directors have raved about our talent search engine, and we love hearing from our members who have found gigs due to the exposure they received on StageAgent.

However, the economic realities have slowly sunk in. Providing all of StageAgent’s content for free to all members has simply become impossible.  In fact, we are losing money every day StageAgent stays online as a completely free site.

Thus, it is with great excitement that we are introducing StageAgent Pro.  While many features remain available at no cost to our Basic members, StageAgent Pro is a membership option for people who are serious about taking their performing arts career to the next level.  Pro members get exclusive access to audition listings and character breakdowns, along with increased exposure to casting agents.

Benefits for Pro members include:

  • Access to audition listings
  • Access to detailed character breakdowns
  • Top placement in talent search/browse profile results
  • Your profile eligible to be featured on the StageAgent web site & newsletter
  • A profile badge to indicate to talent scouts that you are a serious performer.
  • A printer-friendly resume
  • The ability to contact other StageAgent members

If you are truly passionate about performing, StageAgent Pro is a very wise investment.  Pro membership starts at as little as $4.99/month and can really give you a leg up on the competition.

To upgrade to Pro, sign in to your StageAgent account and go to stageagent.com/Account. In the upper-right corner you should see your Membership Status with a link to ‘Upgrade to Pro’.  Click on this link, follow the instructions and within minutes your membership will be upgraded to Pro!

If you have any questions/comments, please do not hesitate to contact me.  I very much appreciate your feedback and suggestions.

Sincerely,

Jason
Founder, StageAgent.com




King and I At Broadway By The Bay


August 3rd, 2009

5 stars for Broadway by the Bay’s recent production of Rodger & Hammerstein’s The King and I!

In 1862 Siam, an English widow named Anna and her young son arrive at the Royal Palace in Bankok. Anna has been summoned by the King of Siam to tutor his many children and wives. Can Anna and the King stay true to their own cultures while learning from each other? One of the great musical love stories of our time, The King and I is a richly textured and uplifting tale with a gorgeous score that includes “Getting to Know You,” “Shall We Dance,” and “Hello Young Lovers.”

Jared Lee was great in the starring role of The King of Siam. And the childrens’ chorus was appropriately adorable.

Broadway By the Bay has long established itself as one of the premier theatre companies in the San Francisco Bay Area.   Each season the acclaimed theatre company presents three full-scale musicals and one intimate composer/lyricist series. Broadway By the Bay has won numerous awards, including over 40 Theatre Critics Circle Awards.





Tosca and the Popularity of Opera


June 30th, 2009

Wow. I recently had the privilege of witnessing a great production of Puccini’s classic Tuesday night. And in a sign of life for opera, the house was completely sold out.

In Tosca an idealistic artist, a celebrated singer and a corrupt police chief engage in a fierce battle of wills in this tempestuous tale of cruelty and deception. With its themes of political intrigue, sexual intimidation and official hypocrisy, Puccini’s great melodrama set in 1800 is anything but dated. Canadian soprano Adrianne Pieczonka, praised by The New York Times for her “lushly beautiful sound and poignant vulnerability,” made her Company debut in the title role.  She and the whole cast were truly amazing.

But also amazing was the size of the audience - most people paying well over $50 a ticket. Clearly, even with a bad economy and numerous other social outlets available, demand for opera is still strong. The San Francisco Opera has smartly helped fuel interest in opera by organizing free simulcasts, young adult opera clubs, advertising online and offering ticket discounts.

Opera is clearly not going away anytime soon. Thus, opportunities for singers will remain.  So do your vocal lessons, learn some Italian and check StageAgent.com regularly for auditions!