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Overview

Synopsis

The musical Smash unfolds in the high-stakes world of Broadway as the team behind Bombshell, a new musical celebrating the life of Marilyn Monroe, grapples with mounting chaos. At the center is Ivy Lynn, a celebrated triple-threat star who lands the coveted role of Marilyn but buckles under the immense pressure of embodying such an iconic figure. Her anxiety manifests in a series of disruptive antics that throw the production into disarray, testing the patience and ingenuity of everyone involved—from the creative team to the stage crew. As rehearsals intensify, Ivy's unraveling becomes the catalyst for a whirlwind of comedic mishaps, blending the glamour of showbiz with its gritty underbelly.

Desperate to immerse herself fully in the role, Ivy enlists Susan Proctor, a quirky, elderly method acting coach from the Actor's Studio, whose extreme techniques only amplify the pandemonium. Meanwhile, Ivy's loyal best friend and understudy, Karen Cartwright, a talented performer in her own right, provides steadfast support while juggling her duties and her marriage to Charlie, who plays Joe DiMaggio in Bombshell. The songwriting duo—married couple Tracy Morales, the sharp-witted lyricist and book writer, and Jerry Stevens, the composer struggling with alcoholism and therapy—face their own marital strains and creative blocks, exacerbated by Ivy's antics, as they refine the score's blend of heartfelt ballads and showstopping numbers.

Directing the frenzy is Nigel Davies, a flamboyant and exacting British director-choreographer whose vision for Bombshell clashes with the escalating crises, aided by his no-nonsense associate, Chloe Zervoulian, a former dancer turned right-hand woman. Overseeing it all is lead producer Anita Molina Kuperman, a savvy ex-dancer with a dancer's grace but a producer's ruthlessness, supported by her tech-savvy assistant Scott, whose social media savvy often outpaces his theater knowledge. As funding wobbles and egos flare, the team's personal lives intertwine with the production: Jerry's therapy sessions reveal vulnerabilities that inspire new lyrics, while Karen and Charlie navigate the blurred lines between their onstage romance and real-life bond.

In the end, despite Ivy's self-sabotaging spirals and the barrage of setbacks—from botched auditions to last-minute rewrites—Bombshell hurtles toward its Broadway opening night. The musical weaves in beloved songs from the original TV series, like soaring anthems of ambition and vulnerability, culminating in an original finale that captures the raw thrill of live theater. Smash celebrates the indomitable spirit of Broadway, where disasters forge triumphs, and the line between breakdown and breakthrough is as thin as a spotlight's edge.

Show Information

Book
Based on
Smash (2012-2013 NBC television series)
Category
Musical
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
2
First Produced
2025
Genres
Comedy
Settings
Contemporary, Multiple Settings
Time & Place
Broadway, present day
Cast Size
medium
Orchestra Size
Large
Dancing
Heavy
Ideal For
Star Vehicle Female, Professional Theatre, Regional Theatre, Mostly Female Cast, Includes Adult, Mature Adult, Elderly, Young Adult Characters, Medium Cast

Context

Characters

Showing 8 of 12 characters

Character Portrayals

See StageAgent members who have performed roles in Smash.

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Songs

Showing 8 of 20 songs

A song with an asterisk (*) before the title indicates a dance number.

Themes, Symbols & Motifs

Key Terms

    An adaptation is a reworking of a story from one medium or cultural context into another, such as turning a novel into a play or updating a classic play’s setting. Adaptations often reinterpret themes, characters, and style for new audiences. They can range from faithful recreations to bold reimaginings.

    A powerful, resonant singing technique used in musical theatre to project high notes with chest voice.

    A vocal technique blending chest and head voice to create a strong yet flexible sound for higher pitches.

    The art of designing and arranging movement sequences for theatrical dance and physical storytelling.

    The creative leader of a theatrical production, responsible for interpreting the script and guiding the cast and crew.

    An “I Want Song” is a number, usually placed early in a musical, where a main character expresses their deepest desire or ambition. This song sets the character’s journey in motion and gives the audience a clear emotional stake in the story. It has become one of the most recognizable and enduring conventions of musical theatre structure.

    A form of self-referential drama where the play draws attention to its own theatricality. This device challenges the audience’s suspension of disbelief and is used in Epic Theatre and postmodern works.

    A "triple threat" in musical theatre is a performer who excels at acting, singing, and dancing. They have a high level of skill in all three areas, making them versatile and in-demand for many roles. This combination of talents allows them to fully embody characters, deliver compelling songs, and execute choreography.

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher