
French Neoclassical Theatre
1648 - 1789
Introduction
As a movement, Neoclassicism involved all forms of art (theatre, literature, and architecture) and drew upon classical Greek and Roman models as examples of perfection. It originated in the writings of fifteenth-century Italian scholars and came to dominate the stage in seventeenth and eighteenth-century France. This guide will explore the strict rules of French Neoclassical Theatre and the three playwrights who dominated the era.
Terminology
- Académie Française: the French Academy; the French institute overseeing matters pertaining to the French language.
- Alexandrine: a single verse or line of poetry, which counts a total of twelve feet (syllables).
- French Wars of Religion: a long period of war and unrest between Catholics and Huguenots in France between 1562 and 1598.
- Jesuit: a member of the Society of Jesus, a Roman Catholic order of priests founded in 1534 to carry out missionary work.
- Theorist: an individual who develops an abstract idea or set of ideas about a particular subject.
- Verisimilitude: the appearance of being true or real.
Key Dates & Events
- 1562 - 1598 - French Wars of Religion.
- 1606 - 1684 - Life of Pierre Corneille.
- 1622 - 1672 - Life of Molière.
- 1635 - Corneille wrote his first tragedy, Médée.
- 1637 - Corneille's Le Cid premiered at the Théâtre du Marais in Paris.
- 1639 - 1699 - Life of Jean Racine.
- 1625 - Cardinal Richelieu became Chief Minister of France.
- 1635 - Establishment of the Académie Française.
- 1664 - Jean Racine's first play, the tragedy La Thébaïde ou les frères ennemis (The Thebans or the Enemy Brothers) was produced by Molière's company at the Théâtre du Palais-Royal in Paris.
- 1664 - Molière's controversial play Tartuffe premiered.
Context & Analysis
Throughout the sixteenth and early seventeenth centuries, France was governed by unrest and Paris became enveloped by what became known as the French Wars of Religion (1562-1598). During this period, the influence of commedia dell’arte and pastoral comedies dominated the French stage and they continued to play a role in the works of future playwrights. By the
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Guides
Key Playwrights
Key Plays
- The Imaginary Invalid
- The Misanthrope
- Les Precieuses Ridicules
- The School For Husbands
- The School For Wives
- Tartuffe
- The Liar
- The Bourgeois Gentleman
- Phaedra
- Le Cid
- The Miser
- The Learned Women
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Alexandra Appleton
Writer, editor and theatre researcher