Overview
Show
Character
Gender
Male
Playing Age
Young Adult, Adult
Style
Comedic
Act/Scene
Act Two
Time & Place
A street in Paris during the mid-seventeenth century, where an emergency deception is unfolding.
Length
Long
Time Period
Classical
Show Type
Play
Age Guidance
Youth (Y)/General Audiences (G)
Context
Dorante is spinning an incredibly intricate,
to read the context for this monologue from The Liar and to unlock other amazing theatre resources!Text
- Very soon after my arrival there
- I met Orphise. Her charms, beyond compare,
- Would have subdued a heart of flint. Her gaze
- Transfixed me with its bright, soul-searching rays.
- I sought an introduction: the reward
- For my attentions was her kind regard;
- Within six months she had returned my love
- With secret favors… nothing to reprove
- Until at last I had obtained the right
- To climb into her bedroom, late at night…
- Just for a chat. One night -- I can remember
- The date -- it was the second of November --
- (It was the night that I was caught, you see)
- Her father had been dining out, and we
- Heard him come up the stairs, and stop, and knock
- On the bedroom door. Orphise got quite a shock!
- She froze, then blenched, then blushed, then used her head --
- She drew the curtains round me in the bed
- And let him in. She seemed to have a plan:
- She hugged him -- almost choked the poor old man --
- So that it wouldn’t look as though he’d caught her
- Off guard. He took a seat, and told his daughter
- He’d just received a very handsome offer
- For her hand! Picture what I had to suffer.
- She managed to respond so cleverly
- As to please him, without alarming me.
- At length they finished this distressing chat --
- But just as he was going out -- guess what?
- My watch began to strike! He dropped the latch,
- And said: “I didn’t know you had a watch.
- Who gave it you?” “Cousin Acaste,” she stalled,
- “Just brought it round -- he wants it overhauled.
- It seems to go off every other minute.
- His quarter’s got no decent jewelers in it.”
- “Give it to me. That’s easily corrected,”
- He said. Orphise came over to collect it --
- I passed it through the curtain, but in vain --
- My pistol got entangled with the chain,
- Which pulled the trigger and discharged a shot.
- Disaster! Orphise fainted on the spot.
- Her father hurled himself onto the floor,
- And shouted “Assassins!” and “Au secours!”
- His son and several servants blocked my path,
- But I was practically insane with wrath:
- I drew my sword, and tried to force my way
- Between them, but, in the ensuing fray,
- My rapier snapped, which forced me to give ground.
- Meanwhile, Orphise was starting to come round:
- Recent events had clearly stunned her, but
- She was sufficiently alert to shut
- The bedroom door, with only her and me
- Inside. We both began, spontaneously,
- To pile up boxes, tables, chairs and beds,
- In a huge barricade; we’d lost our heads --
- As if our puny efforts could achieve
- Anything better than a brief reprieve!
- They smashed a hole and entered through the wall --
- I saw the game was up, and had to call
- Our struggle to a halt.
Corneille, Pierre. Two Plays: The Liar, The Illusion. trans. Ranjit Bolt. Absolute Classics, Bath, England. 1989. pp. 30-31.
Performance Tips
- Maintain a high-stakes, breathless pacing that
Emotional Beat Breakdown
1. The Romantic Prelude
- What shifts:
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