Overview
Context
Orestes stands over the freshly slain bodies of
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Hark ye and learn-for what the end shall be
For me I know not: breaking from the curb
My spirit whirls me off, a conquered prey,
Borne as a charioteer by steeds distraught
Far from the course, and madness in my breast
Burneth to chant its song, and leap, and rave-
Hark ye and learn, friends, ere my reason goes!
I say that rightfully I slew my mother,
A thing God-scorned, that foully slew my sire.
And chiefest wizard of the spell that bound me
Unto this deed I name the Pythian seer
Apollo, who foretold that if I slew,
The guilt of murder done should pass from me;
But if I spared, the fate that should be mine
I dare not blazon forth-the bow of speech
Can reach not to the mark, that doom to tell.
And now behold me, how with branch and crown
I pass, a suppliant made meet to go
Unto Earth's midmost shrine, the holy ground
Of Loxias, and that renowned light
Of ever-burning fire, to 'scape the doom
Of kindred murder: to no other shrine,
So Loxias bade, may I for refuge turn.
Bear witness, Argives, in the after time,
How came on me this dread fatality.
Living, I pass a banished wanderer hence,
To leave in death the memory of this cry.
Look, look, alas!
Handmaidens, see-what Gorgon shapes throng up
Dusky their robes and all their hair enwound-
Snakes coiled with snakes-off, off,-I must away!
These are no dreams, void shapes of haunting ill,
But clear to sight another's hell-hounds come!
O king Apollo-see, they swarm and throng-
Black blood of hatred dripping from their eyes!
Ye can behold them not, but I behold them.
Up and away! I dare abide no more.
Aeschylus, The Libation Bearers, trans. E.D.A. Morshead, 1881.
Performance Tips
- Create a stark, compelling contrast between the
Emotional Beat Breakdown
1. The Legal Defense
- What shifts: The
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