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Eric has come to the former home of his late friend, Walter Poole. In
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The car turned away, and Eric stood by the hedgerow that protected the property from the road and he stepped for the first time on to the grounds. It was as if a curtain had risen.
[... …]
Eric breathed and filled his lungs with the past. It stretched before him now, limitless--the past and the present, mingling together inside this house, inside him.
Matthew Lopez, The Inheritance. Faber Drama, 2018. p,145-147
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