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As part of their convoluted plan to manipulate him into assuming
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I could not, without instant death
Gaze into a crate at a drained face
Of some person once familiar to me from the water's surface
Into which a man looked who, so I realise, died.
Therefore I am unable to open this crate
Because this fear is in the both of me, for perhaps
I am the Both which has just come about
On our earth's transformable top surface:
A chopped-off batlike thing hanging
Betwixt rubber trees and hut, a night bird
A thing that would gladly be cheerful.
One man equals no man. Some one has to call him.
Therefore
I would gladly have looked into this chest
As the heart clings to its parents.
Given a forest, which would still be there
If no one walked through it, and the very man
Who walked through where a forest once was:
How do they recognise each other?
When he sees his own footprints among the reeds
With water spurting into them, does that puddle mean anything to him?
What is your opinion?
By what sign does Galy Gay know himself
To be Galy Gay?
Suppose his arm was but off
And he found it in the chink of a wall
Would Gay Gay's foot cry out: this is the one!?
Therefore I am not looking into this chest.
Moreover in my opinion the difference
Between yes and no is not all that great.
And if Galy Gay were not Galy Gay
Then he would be the drinking son of some mother who
Would be some other man's mother if she
Were not his, and thus would anyway drink.
And would have been produced in March, not in September
Unless instead of March he had
Been produced only in September of this year, or already
In September the year before
Which represents one small year's difference
That turns one man into another man.
And I, the one I and the other I
Are used and accordingly usable.
And since I never gazed at that elephant
I shall close an eye to what concerns myself
And shed what is not likable about me and thereby
Be pleasant.
Brecht, Bertolt. Man Equals Man, Sc. 9 pt. V, pp. 60-62.
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