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Hobson's Choice

Overview

Show Type
Play
Age Guidance
Youth (Y)/General Audiences (G)
Genders
  • Female: 1
  • Male: 2
Playing Age
Adult, Mature Adult
Style
Dramatic
Length
Medium
Time Period
Classical
Time/Place
Lancashire, England, 1880s
Act/Scene
Act 3

Context

Text

HOBSON (with some slight apology). Well, Maggie.

MAGGIE (uninvitingly). Well, father.

HOBSON (without confidence). I'll come in.

MAGGIE (standing in his way). Well, I don't know. I'll have to ask the master about that.

HOBSON. Eh? The master?

MAGGIE. You and him didn't part on the best of terms, you know. (Over the railings.) Will, it's my father. Is he to come in?

WILLIE (loudly and boldly). Aye, let him come.

(HOBSON comes downstairs. MAGGIE closes door behind him and follows. HOBSON stares round at the cellar.)

HOBSON. You don't sound cordial about your invitation, young man.

WILLIE (rises and goes C.). Nay, but I am. (Shaking hands for a long time.) I'm right down glad to see you, Mr. Hobson. (MAGGIE comes down R.) It makes the wedding-day complete-like, you being her father and I—I hope you'll see your way to staying a good long while.

HOBSON. Well—

MAGGIE. That's enough, Will. You don't need to overdo it. You can sit down for five minutes, father. That sofa 'ull bear your weight. It's been tested.

(HOBSON sits on sofa, R. C. WILLIE goes back to the chair, R.)

WILLIE (taking up teapot). There's nobbut tea to drink and I reckon what's in the pot is stewed, so I'll—

MAGGIE (taking pot off him as he moves to fire-place with it). You'll not do owt of sort. Father likes his liquids strong.

WILLIE (down R. of table). A piece of pork pie now, Mr. Hobson?

HOBSON (groaning). Pork pie!

MAGGIE (sharply). You'll be sociable now you're here, I hope. (She pours tea at table, top end.)

HOBSON. It wasn't sociability that brought me, Maggie.

MAGGIE. What was it, then?

HOBSON. Maggie, I'm in disgrace. A sore and sad misfortune's fallen on me.

MAGGIE (cutting). Happen a piece of wedding cake 'ull do you good.

HOBSON (shuddering). It's sweet.

MAGGIE. That's natural in cake.

(MAGGIE sits in chair above table.)

HOBSON. I've gotten such a head.

MAGGIE. Aye. But wedding cake's a question of heart. There'd be no bride cakes made at all if we thought first about our heads. I'm quite aware it's foolishness, but I've a wish to see my father sitting at my table eating my wedding cake on my wedding-day.

HOBSON. It's a very serious thing I came about, Maggie.

MAGGIE. It's not more serious than knowing that you wish us well.

HOBSON. Well, Maggie, you know my way. When a thing's done it's done. You've had your way and done what you wanted. I'm none proud of the choice you made and I'll not lie and say I am, but I've shaken your husband's hand, and that's a sign for you. The milk's spilt and I'll not cry.

MAGGIE (holding plate). Then there's your cake, and you can eat it.

HOBSON. I've given you my word there's no ill feeling. (Pushes cake away.)

MAGGIE. So now we'll have the deed. (Pushes it back.)

HOBSON. You're a hard woman. (He eats.) You've no consideration for the weakness of old age.

MAGGIE. Finished?

HOBSON. Pass me that tea.

(She passes: he drinks.)

That's easier.

MAGGIE. Now tell me what it is you came about?

HOBSON. I'm in sore trouble, Maggie.

MAGGIE (rising and going towards door, L.). Then I'll leave you with my husband to talk it over.

HOBSON. Eh?

MAGGIE. You'll not be wanting me. Women are only in your way.

HOBSON (rising and going C.). Maggie, you re not going to desert me in the hour of my need, are you?

MAGGIE. Surely to goodness you don't want a woman to help you after all you've said! Will 'ull do his best, I make no doubt. (She goes towards door.) Give me a call when you've finished, Will.

HOBSON (following her). Maggie! It's private.

MAGGIE. Why, yes. I'm going and you can discuss it man to man with no fools of women about.

HOBSON. I tell you I've come to see you, not him. It's private from him.

MAGGIE. Private from Will? Nay, it isn't. Will's in the family—(comes back a little),—and you've nowt to say to me that can't be said to him.

HOBSON. I've to tell you this with him there?

MAGGIE. Will and me's one.

WILLIE. Sit down, Mr. Hobson.

MAGGIE. You call him father now.

WILLIE (astonished). Do I?

HOBSON. Does he?

MAGGIE. He does. Sit down, Will.

(WILL sits right of table. MAGGIE stands at the head of the table. HOBSON sits on sofa.)

Now, if you're ready, father, we are. What's the matter?

HOBSON. That—(producing the blue paper)—that's the matter.

(MAGGIE accepts and passes it to WILL and goes behind his chair. He is reading upside down. She bends over chair and turns it right way up.)

MAGGIE. What is it, Will?

HOBSON (banging table). Ruin, Maggie, that's what it is! Ruin and bankruptcy. Am I vicar's warden at St. Philip's or am I not? Am I Hobson of Hobson's Boot Shop on Chapel Street, Salford? Am I a respectable ratepayer and the father of a family or—

MAGGIE (who has been reading over WILL'S shoulder). It's an action for damages for trespass, I see.

HOBSON. It's a stab in the back, it's an unfair, un-English, cowardly way of taking a mean advantage of a casual accident.

MAGGIE. Did you trespass?

HOBSON. Maggie, I say it solemnly, it is all your fault. I had an accident. I don't deny it. I'd been in the "Moonraker's" and I'd stayed too long. And why? Why did I stay too long? To try to forget that I'd a thankless child, to erase from the tablets of memory the recollection of your conduct. That was the cause of it. And the result, the blasting, withering result? I fell into that cellar. I slept in that cellar and I awoke to this catastrophe. Lawyers... law-costs... publicity... ruin.

MAGGIE (moving round table to C.). I'm still asking you. Was it an accident? Or did you trespass?

HOBSON. It's an accident. As plain as Salford Town Hall it's an accident, but they that live by law have twisted ways of putting things that make white show as black. I'm in their grip at last. I've kept away from lawyers all my life, I've hated lawyers, and they've got their chance to make me bleed for it. I've dodged them, and they've caught me in the end. They'll squeeze me dry for it.

WILLIE. My word, and that's summat like a squeeze and all.

(HOBSON stares at him.)

MAGGIE. I can see it's serious. I shouldn't wonder if you didn't lose some trade from this.

HOBSON. Wonder! (Rising and moving C.) It's as certain as Christmas. My good-class customers are not going to buy their boots from a man who's stood up in open court and had to acknowledge he was overcome at 12 o'clock in the morning. They'll not remember it was private grief that caused it all. They'll only think the worse of me because I couldn't control my daughter better than to let her go and be the cause of sorrow to me in my age. That's what you've done. Brought this on me, you two, between you.

WILLIE. Do you think it will get into the paper, Maggie?

MAGGIE. Yes, for sure. You'll see your name in the Salford Reporter, father.

HOBSON. Salford Reporter! Yes, and more. When there is ruin and disaster, and outrageous fortune overwhelms a man of my importance to the world, it isn't only the Salford Reporter that takes note of it. This awful cross that's come to me will be recorded in the Manchester Guardian for the whole of Lancashire to read.

WILLIE. Eh, by gum, think of that! To have your name appearing in the Guardian! Why, it's very near worth while to be ruined for the pleasure of reading about yourself in a printed paper.

HOBSON (sits sofa). It's there for others to read besides me, my lad.

WILLIE. Aye, you're right. I didn't think of that. This 'ull give a lot of satisfaction to a many I could name. Other people's troubles is mostly what folks read the paper for, and I reckon it's twice the pleasure to them when it's trouble of a man they know themselves. (He is perfectly simple and has no malicious intention.)

HOBSON. To hear you talk it sounds like a pleasure to you.

WILLIE (sincerely). Nay, it's not. You've ate my wedding cake and you've shook my hand. We're friends, I hope, and I were nobbut meditating like a friend. I always think it's best to look on the worst side of things first, then whatever chances can't be worse than you looked for. There's St. Philip's now. I don't suppose you'll go on being vicar's warden after this to do, and it brought you a powerful lot of customers from the church, did that.

HOBSON (turning to her). I'm getting a lot of comfort from your husband, Maggie.

MAGGIE. It's about what you deserve. (Goes to him.)

HOBSON. Have you got any more consolation for me, Will?

WILLIE (aggrieved). I only spoke what came into my mind.

HOBSON. Well, have you spoken it all?

WILLIE. I can keep my mouth shut if you'd rather.

HOBSON. Don't strain yourself, Will Mossop. When a man's mind is full of thoughts like yours, they're better out than in. You let them come, my lad. They'll leave a cleaner place behind.

WILLIE. I'm not much good at talking, and I always seem to say wrong things when I do talk. I'm sorry if my well-meant words don't suit your taste, but I thought you came here for advice.

HOBSON. I didn't come to you, you jumped-up cock-a-hooping—(Rising.)

MAGGIE. That 'ull do, father. (Pushes him down.) My husband's trying to help you.

HOBSON (glares impatiently for a time, then meekly says). Yes, Maggie.

MAGGIE. Now about this accident of yours.

HOBSON. Yes, Maggie.

MAGGIE. It's the publicity that you're afraid of most.

HOBSON. It's being dragged into a court of law at all, me that's voted right all through my life and been a sound supporter of the Queen and Constitution.

MAGGIE. Then we must try to keep it out of court. (Moves away to L. C.)

HOBSON (rising and moving to C.). If there are lawyers in Heaven, Maggie, which I doubt, they may keep cases out of courts there. On earth a lawyer's job's to squeeze a man and squeeze him where his squirming's seen the most—in court.

MAGGIE. I've heard of cases being settled out of court, in private.

HOBSON. In private? Yes, I dare say, and all the worse for that. It's done amongst themselves in lawyers' offices behind closed doors so no one can see they're squeezing twice as hard in private as they'd dare to do in public. There's some restraint demanded by a public place, but privately! It'll cost a fortune to settle this in private, Maggie.

MAGGIE. I make no doubt it's going to cost you something, but you'd rather do it privately than publicly?

HOBSON (coming back to sofa and sitting again). If only it were not a lawyer's office.

MAGGIE. You can settle it with the lawyer out of his office. You can settle with him here.

(She goes L. and opens door. Then comes down L.) Albert!

[For full play text, see:
Hobson's Choice]

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