Scene Overview

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Show Type
Play
Age Guidance
Youth (Y)/General Audiences (G)
Genders
  • Female: 2
  • Male: 0
Style
Dramatic
Length
Short
Time Period
Contemporary
Time/Place
A house in Provincetown, Massachusetts. 1900s.
Act/Scene
Act 1

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MRS PATRICK: You call what you are life? (Laughs) Bleak as those ugly things that grow in the sand!

ALLIE MAYO: Ugly!

MRS PATRICK: I have known life. I have known life. You're like this Cape. A line of land way out to sea—land not life.

ALLIE MAYO: A harbor far at sea. Land that encloses and gives shelter from storm.

MRS PATRICK: (Facing the sea, as if affirming what will hold all else out) Outside sea. Outer shore. Dunes—land not life.

ALLIE MAYO: Outside sea—outer shore, dark with the wood that once was ships—dunes, strange land not life—woods, town and harbor. The line! Stunted straggly line that meets the Outside face to face—and fights for what itself can never be. Lonely line. Brave growing.

MRS PATRICK: It loses.

ALLIE MAYO: It wins.

MRS PATRICK: The farthest life is buried.

ALLIE MAYO: And life grows over buried life! It will. And Springs will come when you will want to know that it is Spring.

MRS PATRICK: Savers of life! You savers of life! 'Meeting the Outside!' Meeting—(but she cannot say it mockingly again; in saying it, something of what it means has broken through, rises. Herself lost, feeling her way into the wonder of life) Meeting the Outside!

Citation: Susan Glaspell, The Outside, Public domain, 1917.

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