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The Kitchen

Play

Overview

Synopsis

Arnold Wesker’s groundbreaking play is set in the basement kitchen of the Tivoli, a large and busy London restaurant with a high, frantic turnover of both customers and staff. An international melange of chefs, waitresses and porters set up for the day as they prepare to serve lunch. The pace builds and tempers flare as the cooks butt heads, the waitresses chase their orders, and the beers are downed to get through the day. In the midst of the chaos, Peter, a high-spirited, young German chef carries out a doomed, tumultuous love affair with married English waitress, Monique. When he finally realizes that she will never leave her husband, something in Peter snaps and he destroys the gas leads to the kitchen ovens. Hurt and bewildered by his employee’s actions, restaurant owner Mr Marango is left to wonder what more his workers need in their lives other than employment, money, and food.

The Kitchen was the first British play to dramatize the relentless rhythm and toil of the working day and portray a kind of mechanized hell in which hundreds of meals must be served in a short space of time.

Show Information

Category
Play
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
2
First Produced
1957
Genres
Drama
Settings
Period, Unit/Single Set
Time & Place
The kitchen of a busy London restaurant, 1950s
Cast Size
large
Ideal For
Professional Theatre, Regional Theatre, Large Cast, Mostly Male Cast, Includes Young Adult, Adult, Mature Adult, Late Teen, Elderly Characters

Characters

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Character Portrayals

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Monologues

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Key Terms

    An economic system often critiqued in epic and protest theatre, examining exploitation, class, and power structures.

    A British theatrical movement from the 1950s–60s that depicted working-class life with gritty realism and domestic conflict.

    A theatrical movement that strives to depict everyday life and authentic behavior on stage. It often focuses on domestic settings and psychological depth.

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher