Overview
Synopsis
One of the darkest musicals ever written, Sweeney Todd: The Demon Barber of Fleet Street is the unsettling tale of a Victorian-era barber who returns home to London after fifteen years of exile to take revenge on the corrupt judge who ruined his life. When revenge eludes him, Sweeney swears vengeance on the entire human race, murdering as many people as he can, while his business associate Mrs. Lovett bakes the bodies into meat pies and sells them to the unsuspecting public. Perhaps composer/lyricist Stephen Sondheim’s most perfect score, Sweeney Todd is lush, operatic, and full of soaring beauty, pitch-black comedy and stunning terror. It’s one of the signal achievements of the American musical theater of the last 50 years, and it’s the high-water mark of Sondheim’s six remarkable collaborations with director Harold Prince.
Show Information
Context
Sweeney Todd was the last and arguably greatest of the five groundbreaking musicals Stephen Sondheim scored during the 1970s (following Company, Follies, A Little Night Music, and Pacific Overtures). It is the first Broadway show that Sondheim himself came up with the idea to adapt into a musical; all his previous projects had been conceived by a collaborator.
While it’s unlikely there was ever a historical
to read the context for Sweeney Todd and to unlock other amazing theatre resources!Plot
Prologue
An unseen organist plays a dirge. Two men hastily digging a grave are interrupted by a long loud shrill factory whistle.
Lights fade to black, then rise on a grim-faced ensemble, who instruct the audience to “attend the tale of Sweeney Todd” (“The Ballad of Sweeney Todd”). Sweeney himself, “the demon barber of Fleet Street,” rises from the grave to join them. Blackout.
Act I
Lights rise on the London docks, where Sweeney and Anthony, a sweet-natured sailor, are
to read the plot for Sweeney Todd and to unlock other amazing theatre resources!Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
|
Lead |
Male |
Bass-Baritone, Baritone |
|
|
Lead |
Male |
Tenor |
|
|
Lead |
Female |
Soprano |
|
|
Lead |
Female |
Alto, Mezzo-Soprano |
|
|
Supporting |
Male |
Bass, Bass-Baritone |
|
|
Supporting |
Male |
Tenor |
|
|
Supporting |
Male |
Tenor |
|
|
Supporting |
Female |
Mezzo-Soprano |
|
|
Supporting |
Male |
Tenor |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Non-singer |
|
|
Ensemble |
Not Specified |
Soprano, Mezzo-Soprano, Alto, Baritone, Bass |
Songs
Act One
Act Two
A song with an asterisk (*) before the title indicates a dance number.
Monologues
Scenes
Key Terms
A ballad is a song style that tells a story through simple, lyrical verses and a steady rhythm. In theatre, ballads are often slow and emotional, allowing characters to reveal deep feelings or reflect on personal journeys. They can be used to highlight romance, longing, or moments of dramatic intensity.
A genre that combines elements of humor and morbidity, exploring serious themes through satire or irony.
A combination of tones that creates tension or a lack of harmony, often used for dramatic effect.
A sudden realization or insight experienced by a character, often marking a turning point.
Short for 'legitimate theatre,' referring to traditional stage drama as opposed to musical or commercial performance. The term is also used to describe a classical vocal tone suitable for operatic or legit musical theatre roles.
A recurring musical theme associated with a particular character, idea, or emotion. Frequently used in opera and musical theatre, leitmotifs help reinforce narrative continuity and emotional cues for the audience.
A dramatic genre with exaggerated characters and emotions, often including music to enhance moral and emotional stakes.
A revival is a new production of a play or musical after its original run has ended, often reimagined for a new generation of audiences. Revivals may stay faithful to the original staging or update elements like design, casting, or interpretation. They are a cornerstone of theatre tradition, keeping classic works alive and relevant.
A production created to showcase the talents of a specific star performer, often tailored to their strengths.
Relating to the period of Queen Victoria’s reign (1837–1901), which influenced theatrical style, costume, and themes.
Videos
Quizzes
Themes, Symbols & Motifs
THEMES
Revenge and Obsession
At its heart,
to read about the themes, symbols and motifs from Sweeney Todd and to unlock other amazing theatre resources!Quote Analysis
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