
Overview
Synopsis
Ernest in Love is the musical version of Oscar Wilde's The Importance of Being Earnest. Two aristocratic young men use fake names to escape social obligations, which eventually lands them in hot water. Jack claims to have an irresponsible brother named Ernest, who is making trouble in London. This allows him to repeatedly slip away from his palatial country estate (and from his ward Cecily). Posing as Ernest, Jack courts the lovely Gwendolyn. Jack confesses his charade to his chum Algy, who in turn admits that he uses an imaginary sick friend called Mr. Bunbury to get out of dining with his aunt, Lady Bracknell, who happens to be Gwendolyn's mother. Of course, mischief ensues and one gets mistaken for another, but after the fun and confusion, there is indeed a happy and earnest ending. This musical, just as the play and novel, operates as a comedy of manners. It was first produced on May 4th, 1960 and went on to have 103 performances.
Show Information
- Book
- Anne Croswell
- Music
- Lee Pockriss
- Lyrics
- Anne Croswell
- Conceived By
- Oscar Wilde
- Based on the Play/Book/Film
- The Importance of Being Earnest
- Category
- Musical
- Age Guidance
- Thirteen Plus (PG-13)
- Number of Acts
- 2
- First Produced
- 1959
- Genres
- Comedy
- Settings
- Period
- Time & Place
- Victorian Era. London.
- Cast Size
- medium
- Orchestra Size
- Small
- Dancing
- Some Dance
- Licensor
- Music Theatre International
- Ideal For
- Community Theatre, High School, College/University, Ensemble Cast, Mostly Female Cast, Includes Adult, Mature Adult, Young Adult Characters, Medium Cast
Context
Plot
Characters
Name | Part Size | Gender | Vocal Part |
---|---|---|---|
Lead |
Male |
Tenor |
|
Lead |
Male |
Tenor |
|
Lead |
Female |
Soprano, Mezzo-Soprano |
|
Lead |
Female |
Soprano, Mezzo-Soprano |
|
Supporting |
Male |
Baritone |
|
Supporting |
Female |
Mezzo-Soprano, Alto |
|
Supporting |
Female |
Alto |
|
Supporting |
Male |
Bass, Baritone |
|
Featured |
Male |
Baritone |
|
Featured |
Female |
Soprano, Mezzo-Soprano |
|
|
Female |
|
|
|
Female |
|
Songs
Act One
- Come Raise Your Cup - Lane, Perkins, tradesmen
- How Do You Find the Words? - Jack
- The Hat - Gwendolyn, Alice
- Mr. Bunbury - Algernon, Jack
- Perfection - Jack, Gwendolyn
- A Handbag is Not a Proper Mother - Lady Bracknell, Jack
- Mr. Bunbury (Reprise) - Algernon
- A Wicked Man - Cecily
- Metaphorically Speaking - Miss Prism, Dr. Chasuble
- A Wicked Man (Reprise)
Act Two
- You Can't Make Love - Lane, Effie
- Lost - Algernon, Cecily
- My Very First Impression - Gwendolyn, Cecily
- The Muffin Song - Jack, Algernon
- Eternal Devotion - Gwendolyn, Cecily
- A Handbag is Not a Proper Mother (Reprise)
- The Muffin Song (Reprise) - Jack, Algernon, Gwendolyn, Cecily
- Ernest In Love - Company
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
A play, musical, or opera that has been adapted from a written work.
A type of comedy, popular in the English Restoration, that made fun of social norms and mores.
References an era of book musicals written roughly between the 1940s and the 1960s.
A Broadway musical written and produced between 1943 and 1965.
When someone incorrectly thinks that they have found or recognized a particular person.
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