
Overview
Synopsis
American Utopia, conceived by David Byrne, is a theatrical concert experience that blends music, movement, and spoken reflection. Performed with an ensemble of barefoot musicians, all carrying their instruments, the show strips away traditional staging to emphasize connection and intimacy. Byrne guides the audience through a journey that mixes Talking Heads classics, songs from his solo career, and selections from his 2018 American Utopia album. Along the way, he introduces themes of community, empathy, and the possibilities of human collaboration, using both storytelling and the unique choreography of Annie-B Parson to transform a concert into something theatrical and deeply immersive.
The performance unfolds without a conventional narrative, instead presenting a thematic arc that moves from isolation toward collective joy. Byrne reflects on modern life—technology, politics, and human behavior—often with wry humor, before breaking into bursts of celebratory music and dance. Songs like “Everybody’s Coming to My House” and “Burning Down the House” highlight the tension between personal identity and communal experience, while the staging emphasizes freedom of movement and shared space. By the finale, American Utopia becomes a vision of hope, reminding audiences that art, music, and connection can cut through division and create a sense of unity.
Show Information
- Music
- David Byrne
- Lyrics
- David Byrne
- Category
- Musical
- Age Guidance
- Youth (Y)/General Audiences (G)
- Number of Acts
- 1
- First Produced
- 2019
- Genres
- Jukebox/Revue
- Settings
- Contemporary, Simple/No Set
- Time & Place
- The show is set in a present-day, abstract performance space where music, movement, and ideas create a communal experience beyond traditional theatre.
- Cast Size
- small
- Dancing
- Musical Staging
- Ideal For
- Diverse Cast, Ensemble Cast, College/University, Mostly Male Cast, Includes Mature Adult, Young Adult, Adult Characters, Small Cast
Context
American Utopia originated from David Byrne’s 2018 studio album of the same name, which reflected his fascination with the human condition in an increasingly technological and fragmented world. Byrne, known as the frontman of Talking Heads, had long pushed the boundaries of what live music could be, experimenting with theatricality and multimedia in his concerts. For American Utopia, he collaborated with choreographer Annie-B Parson to create a stripped-down staging where every musician
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Characters
Name | Part Size | Gender | Vocal Part |
---|---|---|---|
Lead |
Male |
Tenor, Baritone |
|
Supporting |
Not Specified |
|
|
Featured |
Not Specified |
|
Songs
- Here
- I Know Sometimes a Man is Wrong / Don't Worry About the Government
- Lazy
- This Must Be the Place
- I Zimbra
- Slippery People
- I Should Watch TV
- Everybody's Coming to My House
- Once in a Lifetime
- Glass, Concrete & Stone
- Toe Jam
- Born Under PUnches (The Heat Goes On)
- I Dance Like This
- Bullet
- Every Day Is a Miracle
- Blind
- Burning Down the Housoe
- Hell You Talmbout
- One Fine Day
- Road to Nowhere
- The Great Curve
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
A hybrid performance form that combines the energy and structure of a concert with the narrative, design, and staging elements of theatre. American Utopia exemplifies this style, blending live music with choreography and spoken reflection.
A design approach that uses simple sets and costumes to shift focus onto performers and ideas. The bare stage, gray suits, and chain curtain in American Utopia reflect this minimalist aesthetic, emphasizing movement and music over spectacle.
Videos
Quizzes
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Themes, Symbols & Motifs
Themes
- Connection and Community – The show
Quote Analysis
*“Everybody’s coming to my house, and I’m never gonna
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