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Overview
Synopsis
Based on Puccini’s beloved opera La Bohème, Rent follows the ups and downs of a year in the life of a group of impoverished, artistic friends living in Manhattan’s East Village. Mark, an aspiring filmmaker, struggles to find his place in the world; his roommate Roger, an HIV-positive musician, wonders how he will leave his mark before he dies. Mimi and Angel look for true love as they face the harsh reality of life as HIV-positive young people, while the businesslike Joanne seeks fidelity from her wild-child performance artist girlfriend Maureen. The group’s dreams, losses, and love stories weave through the musical’s narration to paint a stunningly raw and emotional portrait of the gritty bohemian world of New York City in the late 1980s, under the shadow of HIV/AIDS.
Show Information
Context
Jonathan Larson’s Rent premiered in 1996 and quickly became a cultural phenomenon, reshaping the landscape of American musical theatre. Inspired by Puccini’s opera La Bohème, Larson transposed the struggles of 19th-century bohemians in Paris into the lives of young artists living in New York City’s East Village during the late 1980s and early 1990s. Against the backdrop of gentrification, poverty, and the AIDS epidemic, Rent dramatizes themes of love, community, and resilience in the face
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Act One
It is Christmas Eve in 1987. Mark Cohen, an aspiring filmmaker and the show’s narrator, is setting up his camera in his sparse East Village loft apartment. He turns his camera on his roommate Roger Davis, a former junkie and songwriter and trying (unsuccessfully) to write a new song ("Tune Up #1"). Mark’s mother calls; they screen the call, and she leaves a message saying how sorry she is to hear about Mark’s ex-girlfriend Maureen Johnson, who left him for a woman ("Voicemail
to read the plot for Rent and to unlock other amazing theatre resources!Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
|
Lead |
Male |
Tenor |
|
|
Lead |
Female |
Mezzo-Soprano |
|
|
Lead |
Male |
Tenor |
|
|
Supporting |
Male |
Bass-Baritone |
|
|
Supporting |
Male |
Tenor |
|
|
Supporting |
Female |
Mezzo-Soprano |
|
|
Supporting |
Female |
Mezzo-Soprano |
|
|
Supporting |
Male |
Baritone |
|
|
Featured |
Female |
Mezzo-Soprano |
|
|
Featured |
Female |
Mezzo-Soprano |
|
|
Featured |
Male |
Tenor |
|
|
Ensemble |
Not Specified |
|
|
|
Ensemble |
Not Specified |
|
|
|
Ensemble |
Not Specified |
Non-singer |
Songs
Act I
Act II
A song with an asterisk (*) before the title indicates a dance number.
Monologues
Scenes
Key Terms
Acquired Immune Deficiency Syndrome (AIDS) is a medical condition caused by the HIV virus that weakens the immune system. It has had a profound impact on the performing arts community, particularly in the late 20th century, as many artists and organizations have addressed its social and personal effects through theatre.
A medication used to treat HIV/AIDS. Frequently referenced in plays addressing the AIDS crisis, such as 'Angels in America.'
A powerful, resonant singing technique used in musical theatre to project high notes with chest voice.
Describes characters or artists who reject conventional norms, often romanticized in theatre and musicals.
A concept musical is a type of musical structured around a central idea, theme, or message rather than a straightforward linear plot. Songs, characters, and scenes are often arranged to explore this unifying concept from different perspectives. This style allows for greater experimentation and can blend satire, social commentary, or abstract storytelling.
A recurring musical theme associated with a particular character, idea, or emotion. Frequently used in opera and musical theatre, leitmotifs help reinforce narrative continuity and emotional cues for the audience.
A public performance before official opening night, used to fine-tune a show based on audience response.
A rock musical is a form of musical theatre that incorporates the rhythms, instrumentation, and energy of rock-and-roll into its score. Emerging in the late 1960s with shows like Hair, rock musicals often bring a contemporary, rebellious edge to the stage. They blend theatrical storytelling with the raw power of popular music to attract younger and more diverse audiences.
Satire is a dramatic style that uses humor, irony, and exaggeration to criticize human behavior, social institutions, or political systems. In theatre, it highlights flaws and hypocrisies through wit and parody, encouraging audiences to laugh while also reflecting on serious issues. Satire can range from lighthearted comedy to biting social commentary, making it both entertaining and thought-provoking.
A musical format where all dialogue is sung, creating continuous musical storytelling without spoken scenes.
A tableau is a staged moment where performers freeze in a visually powerful pose or arrangement, almost like a living picture. Instead of dialogue or movement, the image itself communicates the meaning—whether it’s celebrating triumph, mourning loss, or showing a turning point in the story. In an opera such as Ça Ira, which dramatizes the French Revolution, tableaux are often used to symbolize big events like the storming of the Bastille or the collective spirit of the people.
A through-sung musical is one where the story is told almost entirely through continuous music instead of spoken dialogue. Songs and recurring melodies connect seamlessly to carry the narrative, giving the show a heightened and operatic feel. This structure makes the emotions of the characters more immediate and helps the audience stay immersed in the musical world.
A developmental process for a theatrical work involving readings, rehearsals, and informal performances to refine material.
Videos
Quizzes
Themes, Symbols & Motifs
Themes
Love in All Its Forms: At its core, Rent
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“No day but today.” — Mimi, Roger, and Company
This
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