Overview

Synopsis

The S. S. American is sailing between New York and England with a comically colorful assemblage of passengers: Reno Sweeney, a popular nightclub singer and former evangelist, her pal Billy Crocker, a lovelorn Wall Street broker who has come aboard to try to win the favor of his beloved Hope Harcourt (who is engaged to another passenger, Sir Evelyn Oakleigh), and a second-rate conman named Moonface Martin, aka “Public Enemy #13”. Song, dance, and farcical antics ensue as Reno and Moonface try to help Billy win the love of his life.

Show Information

Music
Lyrics
Category
Musical
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
2
First Produced
1934
Genres
Comedy, Romance
Settings
Unit/Single Set
Time & Place
Set aboard the ocean liner S.S. American as it sails from New York to London in the early 1930s.
Cast Size
large
Orchestra Size
Large
Dancing
Heavy
Ideal For
College/University, Community Theatre, Regional Theatre, Star Vehicle Female, Mostly Male Cast, Includes Adult, Young Adult, Mature Adult Characters, Large Cast

Context

Plot

Characters

Name Part Size Gender Vocal Part

Reno Sweeney

Lead

Female

Mezzo-Soprano

Lord Evelyn Oakleigh

Lead

Male

Baritone

Billy Crocker

Lead

Male

Tenor

Moonface Martin

Lead

Male

Tenor

Hope Harcourt

Lead

Female

Soprano

Evangeline Harcourt

Supporting

Female

Elisha Whitney

Supporting

Male

Baritone

Erma Latour

Supporting

Female

Mezzo-Soprano

Ship's Captain

Supporting

Male

Baritone

Luke

Featured

Male

John

Featured

Male

Ship’s Purser

Featured

Male

Purity (Angel #1)

Featured

Female

Chastity (Angel #2)

Featured

Female

Charity (Angel #3)

Featured

Female

Virtue (Angel #4)

Featured

Female

Bishop Henry T. Dobson

Featured

Male

Spoken

Ezekiel

Featured

Male

Tenor, Baritone

Benjamin

Featured

Male

Tenor, Baritone

Ensemble

Ensemble

Either or Both

Songs

Act One

Act Two

A song with an asterisk (*) before the title indicates a dance number.

Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    The art of designing and arranging movement sequences for theatrical dance and physical storytelling.

    Phrases with dual meanings, often one risqué, used in scripts to add humor or subtext without overt expression.

    Farce is a comedic style that emphasizes exaggerated situations, improbable coincidences, mistaken identities, and rapid pacing. It often includes physical humor such as slamming doors, frantic chases, or characters hiding in plain sight. Farce is designed to generate nonstop laughter, often prioritizing chaos and absurdity over realistic storytelling.

    The imaginary wall separating the audience from the actors onstage, often 'broken' for direct address. This term plays a vital role in understanding theatrical structure and is commonly encountered in stagecraft or performance settings.

    A period of artistic flourishing, often referring to 1940s-60s Broadway or English Renaissance theatre. This term plays a vital role in understanding theatrical structure and is commonly encountered in stagecraft or performance settings.

    The “Golden Age Musical” refers to Broadway shows written roughly between the 1940s and 1960s, a period known for integrating songs, story, and character development. These musicals often balanced romance, comedy, and social themes with memorable melodies and large ensembles. Classics from this era continue to shape the foundation of modern musical theatre.

    A musical genre characterized by syncopation and improvisation, frequently integrated into musical theatre for style and rhythm.

    Short for 'legitimate theatre,' referring to traditional stage drama as opposed to musical or commercial performance. The term is also used to describe a classical vocal tone suitable for operatic or legit musical theatre roles.

    A period piece is a theatrical work set in a specific historical era, recreating its fashions, manners, and cultural atmosphere. Costumes, sets, and dialogue are often designed to reflect the chosen time period as accurately as possible. Period pieces allow audiences to step into another age and experience its unique style and traditions.

    A revival is a new production of a play or musical after its original run has ended, often reimagined for a new generation of audiences. Revivals may stay faithful to the original staging or update elements like design, casting, or interpretation. They are a cornerstone of theatre tradition, keeping classic works alive and relevant.

    A showstopper is a theatrical number so powerful, impressive, or emotionally charged that it provokes extended audience applause, temporarily halting the performance. These moments often highlight peak vocal, dance, or dramatic abilities and become signature highlights of a production. Showstoppers are carefully crafted to create excitement, release tension, or leave a lasting impression on the audience.

    A production created to showcase the talents of a specific star performer, often tailored to their strengths.

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