
Overview
Synopsis
Fernando has fallen so deeply in love with a mystery woman that he has left his place at the monastery to follow her. He knows nothing about her history, but when she refuses to marry him and offers him a commission for King Alfonso’s army, he knows she must be a noble woman. He takes up the commission to try and reach a position where he is worthy of marrying nobility.
Fernando proves to be a valiant soldier, and fights bravely in the service of the king. When they return to Castile victorious, Alfonso wishes to honor Fernando, and asks him to choose a prize. Fernando asks that he might be permitted to marry the noblewoman he has fallen in love with, and indicates Leonora, with no idea that she is the king’s mistress. Believing his mistress to have been having an affair with Fernando, Alfonso grants Fernando’s wish, knowing that the marriage will bring great shame on him.
Leonora tries to explain her past to Fernando, so that he can decide whether to marry her or not, but her message is intercepted and never reaches him. When she appears at the altar, and he goes through with the ceremony, she fully believes that he has forgiven her disgraceful past. Fernando learns of Leonora’s relationship with the king when, instead of congratulation, he receives insults. He is furious at this betrayal from both the king and Leonora. He breaks his sword, and takes back his pledge of loyalty to the king.
With nowhere else to go, Fernando returns to the monastery. A few days later, Leonora arrives at the monastery, sick and on the edge of death. She begs Fernando for his forgiveness before succumbing to her illness and dying in his arms.
Show Information
- Music
- Gaetano Donizetti
- Libretto
- Alphonse Royer , Gustav Vaëz , Eugène Scribe
- Based on the Play/Book/Film
- Le Comte de Comminges by Baculard d’Arnaud
- Category
- Opera
- Age Guidance
- Thirteen Plus (PG-13)
- Number of Acts
- 4
- First Produced
- 1840
- Genres
- Drama, Historical/Biographical, Tragedy
- Settings
- Period, Multiple Settings
- Time & Place
- Castile, Spain, 1340
- Cast Size
- small
- Orchestra Size
- Medium
- Dancing
- Some Dance
- Licensor
- None/royalty-free
- Ideal For
- Professional Opera, Mostly Male Cast, Includes Adult, Young Adult, Mature Adult Characters, Small Cast
Context
Since its first performance at the Paris opera, in December 1840, Donizetti’s La Favorite has enjoyed continuous success. In the first 50 years of its existence, it travelled across the world, and received performances in the original French version in both France and the US, an Italian translation across Italy, and even in English translation in London by the 1890s. In the early part of the 20th century, the Italian translation became standard and many performances were enjoyed as part of
to read the context for La Favorite and to unlock other amazing theatre resources!Plot
Author’s Note: two different versions of this opera exist, and are both regularly performed. The only difference between the two versions is the language. The plot given below is from the Italian version, as the story remains the same.
Act One
The brothers of the order of Saint James of Compostela are giving their morning prayers, praising the dawn, and giving thanks for the new day (‘Bell’alba foriera’). The leader of their order, Baldassarre, has noticed that one of the friars,
to read the plot for La Favorite and to unlock other amazing theatre resources!Characters
Name | Part Size | Gender | Vocal Part |
---|---|---|---|
Lead |
Female |
Mezzo-Soprano, Contralto |
|
Lead |
Male |
Tenor |
|
Lead |
Male |
Bass |
|
Supporting |
Male |
Baritone |
|
Supporting |
Female |
Soprano |
|
Supporting |
Male |
Tenor |
|
Ensemble |
Either Gender |
Soprano, Mezzo-Soprano, Contralto, Tenor, Baritone, Bass |
Songs
Author’s Note: This opera was originally written in French, but was made popular during the 20th century in an Italian version. In more recent years the French version has also become standard again, so both breakdowns are offered here.
Italian Version
- Sinfonia
Act One
- Introduction and chorus ‘Bell’alba foriera’ - Chorus, Fernando, Baldassarre
- Romance ‘Una vergine, un angel di Dio’ - Fernando
- Duet ‘E fia vero?’ - Fernando, Baldassarre
- Recitative and Chorus ‘Bei raggi lucenti’ - Ines, Chorus
- Aria and chorus ‘Dolce zeffiro’ - Ines, Chorus
- Recitative ‘Messaggera gentile’ - Fernando
- Duet ‘Ah! Mio bene, un Dio t’invia’ - Leonora, Fernando
- Scene ‘E l’uom, che la desia’ - Fernando, Ines
- Aria ‘Si, che un tuo solo accento’ - Fernando
Act Two
- Introduction ‘Giardini dell’Alcazar’ - Alfonso, Don Gasparo
- Scene and aria ‘Vien Leonora, a piedi tuoi’ - Alfonso
- Duet ‘Quando le soglie paterne varcai’ - Leonora, Alfonso
- Recitative ‘Poni tregua al dolor’ - Alfonso
- Dances
- Recitative ‘Ah! Sire!’ - Don Gasparo, Alfonso, Leonora, Baldassarre, Chorus
- Quartet and Finale II ‘Ah! Paventa il furor’ - Leonora, Don Gasparo, Alfonso, Baldassarre, Ines, Chorus
Act Three
- Prelude and recitative ‘A lei son presso alfine’ - Fernando, Don Gasparo, Alfonso
- Trio ‘A tanto amor’ - Leonora, Fernando, Alfonso
- Aria ‘O mio Fernando!’ - Leonora
- Recitative ‘Ines! Fia ver?’ - Leonora, Ines
- Chorus ‘Di già nella cappella’ - Chorus
- Recitative and Chorus Reprise ‘Ah! Che da tanta gioja’ - Fernando, Alfonso, Don Gasparo, Un Cavaliere, Chorus
- Scene and chorus ‘Questo e troppo in mi fe’ - Don Gasparo
- Scene and Finale III ‘Per me del ciel si dispiega il favor’ - Fernando, Don Gasparo, Baldassarre, Leonora, Alfonso, Chorus
Act Four
- Introduction and chorus ‘Splendon più belle in ciel le stelle’ - Chorus, Baldassarre
- Recitative ‘Figlio diletto, al padre tu sol rimani’ - Baldassare, Fernando
- Romance ‘Spirto gentil’ - Fernando
- Recitative and chorus ‘Che fino al ciel la nostra prece ascenda’ - Baldassare, Fernando, Leonora, Chorus
- Duet and Finale ‘Pietoso al par del Nume’ - Leonora, Fernando, Chorus
French Version
- Sinfonia
Act One
- Introduction and chorus ‘Pieux monastere!’ - Chorus, Fernand, Balthazar
- Romance ‘Un ange, une femme inconnue’ - Fernand
- Duet ‘Toi, mon fils’ - Fernando, Balthazar
- Recitative and Chorus ‘Rayons dores’ - Inês, Chorus
- Aria and chorus ‘Doux zephyr’ - Ines, Chorus
- Recitative ‘Gentile messagere’ - Fernand
- Duet ‘Mon idole’ - Leonor, Fernand
- Scene ‘Celui qui vient la chercher’ - Fernand, Ines
- Aria ‘Oui, ta voix m’inspire’ - Fernand
Act Two
- Introduction ‘Jardins de l’Alcazar’ - Alphonse, Don Gaspar
- Scene and aria ‘Leonor, viens’ - Alphonse
- Duet ‘Quand j’ai quitté la château de mon père' - Leonor, Alphonse
- Recitative ‘Que ta douleur s'arrête!' - Alphonse
- Dances
- Recitative ‘Ah! Sire!’ - Don Gaspar, Alphonse, Leonor, Balthazar, Chorus
- Quartet and Finale II ‘Redoutez la fureur' - Leonor, Don Gaspar, Alphonse, Balthazar, Ines, Chorus
Act Three
- Prelude and recitative ‘Me voici donc pres d’elle’ - Fernand, Don Gaspar, Alphonse
- Trio ‘Pour tant d’amour’ - Leonor, Fernand, Alphonse
- Aria ‘O mon Fernand!’ - Leonor
- Recitative 'Inês! viens’ - Leonor, Ines
- Chorus 'Déjà dans la chapelle’ - Chorus
- Recitative and Chorus Reprise - Fernand, Alphonse, Don Gaspar, Un Seigner, Chorus
- Scene and chorus ‘Quel marché de bassesse!’ - Don Gaspar
- Scene and Finale III ‘Pour moi du ciel la faveur se déploie' - Fernand, Don Gaspar, Balthazar, Leonor, Alphonse, Chorus
Act Four
- Introduction and chorus 'Frères, creusons l’asile’ - Chorus, Balthazar
- Recitative ‘Dans un instant, mon frère' - Balthazar, Fernand
- Romance ‘Ange si pur’ - Fernand
- Recitative and chorus ‘Es-tu pret?’ - Balthazar, Fernand, Leonor, Chorus
- Duet and Finale ‘Va-t-en d’ici!’ - Leonora, Fernando, Chorus
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
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