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Overview

Synopsis

Katerina Izmailova is bored of her marriage. Her husband is not interested in her, and her father-in-law controls her every movement. She is desperate for the slightest bit of affection, or physical connection with anyone. When she meets Sergey, the new mill worker, there is something exciting about his violent side. It does not take long before their fighting leads to an affair.

But, Katerina’s father-in-law is always watching. He catches Sergey sneaking out of the window at night and brutally flogs him as a burglar. Katerina has had enough. She poisons her father-in-law, putting rat poison in his beloved mushrooms, and frees Sergey. Her husband returns to find another man in his bed, and beats Katerina for her betrayal. Katerina and Sergey overpower him, and strangle the life from him. They hide his body in the cellar and arrange their wedding.

Katerina is haunted by ghosts, and the thought of the rotting corpse in the cellar. She is certain someone is going to find the body, and her prediction comes true when a local drunk tries to steal some wine and stumbles across it. Katerina and Sergey are accused of murder and taken to a labor camp in Siberia. In prison, Katerina finds out that Sergey has quickly moved on. In her rage, she confronts his new lover, and pushes her off a bridge into an icy river. Katerina loses her footing and also falls to her death.

After spending the first three decades of its existence banned in the Soviet Union, Lady Macbeth of Mtsensk now holds a prestigious position in the canon of Russian opera. Sexual themes, and scenes of violent abuse and murder make this an opera for mature audiences, who can appreciate this depiction of the social oppression and control that lead an ordinary woman to commit atrocities.

Show Information

Libretto
Alexander Preys
Based on the Play/Book/Film
Lady Macbeth of Mstensk by N. Leskov
Category
Opera
Age Guidance
Mature Audiences (M)
Number of Acts
4
First Produced
1934
Genres
Drama, Tragedy
Settings
Multiple Settings, Period
Time & Place
19th century, Russia, 1865, Mtsensk
Cast Size
large
Orchestra Size
Large
Dancing
None
Licensor
Boosey & Hawkes
Ideal For
Professional Opera, Star Vehicle Male, Large Cast, Mostly Male Cast, Includes Mature Adult, Adult, Young Adult, Elderly Characters

Context

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Plot

Characters

Name Part Size Gender Vocal Part

Boris Timofeyevich Izmailov

Lead

Male

Bass, Bass-Baritone, Baritone

Katerina Lvovna Izmailova

Lead

Female

Soprano

Sergey

Lead

Male

Tenor

Zinovy Borisovich Izmailov

Supporting

Male

Tenor

Shabby Peasant

Supporting

Male

Tenor

Porter

Supporting

Male

Bass

Priest

Supporting

Male

Bass

Sergeant

Supporting

Male

Bass

An Old Convict

Supporting

Male

Bass

Sonyetka

Supporting

Female

Contralto

Aksinya

Featured

Female

Soprano

Millhand

Featured

Male

Baritone

Steward

Featured

Male

Bass

Three Foremen

Featured

Male

Tenor

Coachman

Featured

Male

Tenor

Teacher

Featured

Male

Tenor

Policeman

Featured

Male

Bass

A female convict

Featured

Female

Soprano

An Officer

Featured

Male

Bass

Sentry

Featured

Male

Bass

Ghost of Boris Timofeyevich

Featured

Male

Bass

Chorus

Ensemble

Either Gender

Soprano, Mezzo-Soprano, Tenor, Baritone, Bass, Contralto

Songs

Act 1

Scene 1

  • Akh, nye spitsa bol'she, Poprobuyu - Katerina
  • Gribki sevodnya budut? - Boris, Katerina
  • Prigotov otrávu dlya krys - Boris, Katerina
  • Govorl! … Plotinu-to na - Zinovy, Millworker, Boris, Sergey, Coachman, Aksinya, Chorus,
  • Proshcháy, Katerina - Zinovy, Boris, Katerina
  • Chevo vstal? Chevo ostanovilsa? - Aksinya, Boris
  • Interlude

Scene 2

  • Ay! Ay! Ay! - Aksinya, Shabby Peasant, Porter, Chorus, Steward, Sergey
  • Bárynya!...Ay...Shto s toboyu? - Shabby Peasant, Aksinya, Katerina, Sergey
  • A nu-s, pozvol'te ruku-s - Sergey, Katerina, Shabby Peasant, Boris
  • Interlude

Scene 3

  • Spat' porá. Dyen proshol - Katerina, Boris
  • Zherebyonok k kobylke toropitsa - Katerina
  • Kto éto, kto, kto stuchit? - Katerina, Sergey
  • Ya poydù...Proshcháy - Sergey, Katerina, Boris

Act 2

Scene 4

  • Chto znáchit stárost' - Boris
  • Pod oknami u chuzhikh - Boris
  • Proshcháy, Kátya, proscháay! - Sergey, Boris, Katerina, Chorus, Shabby Peasant, Porter
  • Ustál!....Prikázhete mnye postegát'? - Boris, Porter, Katerina
  • V kladovuyu Sergéya záperli - Boris, Porter, Katerina
  • Vidno, skoro uzh zaryá - Chorus, Boris, Foremen, Priest
  • Bátya, ispovyédatsa - Boris, Priest, Foremen
  • Akh, Boris Timoféyevich - Katerina, Priest
  • Interlude

Scene 5

  • Sergéy, Seryozha! - Katerina, Sergey
  • Kátya, prikhodit konyéts lyubvi náshey - Katerina, Sergey
  • Nye pechál'sa, Sergéy - Katerina, Sergey
  • Opyát usnul - Katerina, Ghost of Boris
  • Nu? Chevo tebyé? - Sergey, Katerina
  • Slushay, Sergéy, Sergéy! - Katerina, Sergey
  • Katerina!....Kto tam? - Zinovy, Katerina, Sergey
  • Tepyér shabásh - Sergey, Katerina

Act 3

Scene 6

  • Interlude
  • Shto ty tut stoish? - Sergey, Katerina, Shabby Peasant
  • U menyá bylá kumá - Shabby Peasant
  • Interlude

Scene 7

  • Sozdan politséysky byl vo vrémya ono - Sergeant, Policemen
  • U Izmaylovoy seychás pir goroy - Sergeant, Policemen, Policeman, Teacher
  • Váshe blagorodie!...Chevo tebyé - Shabby Peasant, Sergeant, Policemen
  • Interlude

Scene 8

  • Sláva suprugam - Chorus, Priest, Katerina
  • Shto takoe? ..Zamok sorvan - Sergey, Chorus, Katerina, Priest, A Drunken Guest
  • Shto takoe? Pozdno! - Katerina, Sergey, Policemen, Sergeant

Act 4

Scene 9

  • Vyorsty odna za drugoy - Old Convict, Chorus
  • Stepánych! Propusti menyá - Katerina, Sentry, Sergey
  • Nye lekhko posle pochota da poklonov - Katerina
  • Moyo pochtyénye! - Sergey, Sonyetka
  • Ládno dostánu! - Sergey, Katerina
  • Na chulk! Idyom, tepyér ty moyá - Sergey, Sonyetka, Katerina, Chorus, A Female Convict, Sentry
  • V lesu, v sámoy cháshche yest' ozero - Katerina
  • Znáesh li, Sonyétka - Sergey, Sonyetka
  • Vstaváy! Po mestám! Zh' vo - An Officer, Chorus, Old Convict
  • Akh!...Bozhe moy! Shto takoe? - Sonyetka, Chorus, An Officer, Old Convict

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

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Scenes

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Guide Written By:

Wendy Silvester

Wendy Silvester

Singer and vocal coach based in the UK.