
Overview
Synopsis
Offenbach’s comic retelling of how the Trojan war began treats the legend with more than a pinch of salt. The ridiculous plot follows Paris’s wooing of the beautiful Helene. She has been promised to him by the goddess Venus, despite being married to King Menelaus. Disguised as a shepherd, Paris steals her heart with his good looks and intelligence, by winning a contest of wits. Disguised as a slave he gains access to her bedroom and steals a kiss while she believes herself to be dreaming. Then finally, disguised as the High Priest of Venus, he steals Helene herself, with her husband cheering them on. He takes her off to Troy and thus begins the Trojan war.
The often anachronistic humor and down-to-earth characters really bring this story alive, and Offenbach’s frothy score keeps audiences bouncing along right to the very end.
Show Information
- Music
- Jacques Offenbach
- Libretto
- Ludovic Halevy , Henri Meilhac
- Category
- Opera
- Age Guidance
- Youth (Y)/General Audiences (G)
- Number of Acts
- 3
- First Produced
- 1864
- Genres
- Comedy, Parody, Historical/Biographical
- Settings
- Period, Multiple Settings
- Time & Place
- Sparta, before the Trojan War, Ancient Times
- Cast Size
- large
- Orchestra Size
- Large
- Dancing
- Some Dance
- Licensor
- None/royalty-free
- Ideal For
- Professional Opera, Mostly Male Cast, Includes Young Adult, Adult, Mature Adult, Early Teen, Late Teen, Elderly Characters, Large Cast
Context
As an opera bouffe Offenbach’s La Belle Helene sits precariously on the border between opera and operetta, and this is no surprise, coming from one of the leading composers of French operetta of the 19th century. Following in the footsteps of Orphée aux enfers, Offenbach decided to produce another extended piece that used classical mythology as its basis. Librettists Halevy and Melihac, who are well remembered for writing the libretto for Bizet’s Carmen, were
to read the context for La belle Hélène and to unlock other amazing theatre resources!Plot
Act One
As the citizens bring flowers in offering to Jupiter, Calchas, the high priest of Jupiter, watches over them in disgust (‘Vers tes autels, Jupin’). There are far too many flowers here for his liking, and he misses the old days when the people would bring droves of cattle. The offerings to Jupiter have been rather poor of late, and Calchas is worried that the gods’ time is over. Philcome reminds him that Venus has been making enough money, and her stocks were high in the last
to read the plot for La belle Hélène and to unlock other amazing theatre resources!Characters
Name | Part Size | Gender | Vocal Part |
---|---|---|---|
Lead |
Male |
Tenor |
|
Lead |
Male |
Bass |
|
Lead |
Female |
Soprano, Mezzo-Soprano |
|
Supporting |
Male |
Tenor |
|
Supporting |
Male |
Baritone |
|
Supporting |
Male |
Tenor |
|
Supporting |
Male |
Baritone |
|
Supporting |
Either Gender |
Soprano, Mezzo-Soprano, Countertenor, Tenor |
|
Supporting |
Female |
Soprano |
|
Supporting |
Female |
Soprano |
|
Supporting |
Female |
Mezzo-Soprano |
|
Featured |
Male |
Tenor |
|
Featured |
Male |
Non-singer |
|
Featured |
Male |
Non-singer |
|
Ensemble |
Either Gender |
Soprano, Mezzo-Soprano, Tenor, Baritone, Bass, Contralto |
Songs
Act One
- Introduction
- No. 1a Chorus ‘Vers tes autels, Jupin’
- No. 1b Chorus of the Young Girls ‘C’est le devoir des jeunes filles’ - Hélène, Chorus
- No. 2 Aria ‘Amours divines, ardentes flammes’ - Helene, Chorus
- No. 3 Couplets ‘Au cabaret du labyrinthe’ - Oreste, Calchas, Parthenis, Loena, Chorus
- No. 3b Exit of Oreste ‘Tzing la la’ - Oreste, Chorus
- No. 4 Melodrama and Dialogue ‘Quoi?’ - Calchas, Paris
- No. 5 Melodrama and Dialogue ‘Homme de vingt ans’ - Calchas, Paris
- No. 6 The Judgement of Paris ‘Au mont Ida’ - Paris
- No. 7a March ‘Voici les Roise de la Grèce’ - Chorus
- No. 7b Couplets of the Kings ‘Ves Roise remplis de vaillance’ - Ajax I, Ajax II, Oreste, Calcas, Chorus, Achille, Menelaus Agamemnon
- No. 8 Finale ‘Gloire, gloire!’ - Oreste, Parthenis, Loena, Menelaus, Achille, Ajax I, Ajax II, Agamemnon, Calchas, Chorus, Paris, Helen
Act Two
- No. 9 Entr’acte
- No. 10 Chorus ‘O Reine, en ce jour’ - Helene, Bacchis, Chorus
- No. 11 Invocation to Venus ‘On me nomme Helene la blonde’ - Helene
- No. 12 March of the Goose ‘Le voici, le Roi des Rois’ - Helene, Bacchis, Oreste, Achille, Ajax I, Ajax II, Agamemnon, Calchas
- No. 13 Scene and game of the goose ‘Vous le voyez, j’ai trois’ - Helene, Baccis, Oreste, Achille, Ajax I, Ajax II, Agamemnon, Calchas
- No. 14 Couplet ‘En couronnes tressons les roses’ - Oreste, Chorus
- No. 15 Duet of Dreams ‘C’est le Ciel qui m’envoie’ - Helene, Paris
- No. 16a Final ‘A moi, Roise de la Grèce’ - Helene, Oreste, Bacchis, Paris, Menelaus, Achille, Ajax I, Ajax II, Agamemnon, Calchas, Chorus
- No. 16b Couplets ‘Un mari sage’- Helene, Oreste, Bacchis, Paris, Menelaus, Achille, Ajax I, Ajax II, Agamemnon, Calchas, Chorus
Act Three
- No. 17 Entr’act
- No. 18a Chorus ‘Dansons, aimons’ - Chorus, Oreste
- No. 18b Rondo ‘Venus, au fond de nos ames’ - Oreste, Partheins, Loena, Achille, Chorus
- No. 19 Couplets ‘La vrai! Je ne suis pas’ - Helene
- No. 20 Patriotic Trio ‘Lorsque la Grece’ - Menelaus, Agamemnon, Calchas
- No. 21a Chorus ‘La galere de Cythere’ - Chorus
- No. 21b Tyrolese with Choir ‘Et tout d’abord, o vile multitude’ - Paris, Oreste, Parthenis, Loena, Menelaus, Achille, Ajax I, Ajax II, Agamemnon, Calchas, Chorus
- No. 22 Finale ‘Elle vient, c’est elle’ - Oreste, Parthenis, Loena, Achille, Paris, Ajax I, Ajax II, Agamemnon, Calchas, Helene
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
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