Overview
Synopsis
Laura Wade’s adaptation of Sarah Waters’ best-selling novel, Tipping the Velvet, tells the story of Nancy Astley, an oyster girl from Kent. Nancy goes to her local music hall every night, desperate to catch the rose of the headline act, Kitty Butler, the girl who wears trousers. When the two women meet, the spark is immediate and Nancy follows Kitty to London, giddy with desire and yearning for excitement. Nancy falls deeply in love with Kitty and the couple become a successful, cross-dressing music hall double act. However, Nancy’s heart is broken when Kitty marries their manager, Walter, and chooses respectability over love. Nancy falls into a whirlwind of adventures across the city, first becoming a ‘rent boy’ in Soho Square and then being taken on as the kept lover of Diana, a wealthy widow with unusual sexual appetites. When she is thrown out by Diana after sleeping with her maid, Nancy is rescued by Florence, an east end socialist who knows the underground lesbian scene well. Florence falls for Nancy, but wonders whether Nancy will ever let her guard down and open her heart. Nancy’s journey of self-discovery is overseen by the Chairman, a ring-master, conductor, and MC all rolled into one. He fills in the gaps for the audience and urges Nancy to keep the drama flowing. However, ultimately, Nancy must take charge of her own life and find her place in the world with Florence by her side.
Editor’s Note: This play contains scenes of a sexual nature.
Show Information
- Book
- Laura Wade
- Based on the Play/Book/Film
- Sarah Water's Tipping the Velvet (1998 novel)
- Category
- Play
- Age Guidance
- Mature Audiences (M)
- Number of Acts
- 2
- First Produced
- 2015
- Genres
- Comedy, Drama
- Settings
- Multiple Settings, Period
- Time & Place
- London, England, 1887
- Cast Size
- large
- Licensor
- Samuel French
- Ideal For
- College/University, Large Cast, Professional Theatre, Regional Theatre, Star Vehicle Female, Mostly Female Cast, Includes Young Adult, Adult, Mature Adult, Late Teen Characters
Context
Plot
Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
|
Lead |
Female |
Soprano, Mezzo-Soprano, Alto |
|
|
Supporting |
Female |
Soprano, Mezzo-Soprano, Alto |
|
|
Supporting |
Male |
Non-singer |
|
|
Supporting |
Female |
Non-singer |
|
|
Supporting |
Male |
Non-singer |
|
|
Supporting |
Female |
Non-singer |
|
|
Supporting |
Female |
Non-singer |
|
|
Supporting |
Male |
|
|
|
Supporting |
Female |
Non-singer |
|
|
Supporting |
Female |
Non-singer |
|
|
Supporting |
Female |
Non-singer |
|
|
Supporting |
Male |
Non-singer |
|
|
Featured |
Male |
Non-singer |
|
|
Featured |
Female |
Non-singer |
|
|
Featured |
Male |
Non-singer |
|
|
Featured |
Female |
Non-singer |
|
|
Featured |
Female |
Non-singer |
|
|
Featured |
Female |
Non-singer |
|
|
Featured |
Male |
Non-singer |
|
|
Featured |
Male |
Non-singer |
|
|
Featured |
Female |
Non-singer |
|
|
Featured |
Female |
Non-singer |
|
|
Featured |
Female |
Non-singer |
|
|
Featured |
Female |
Non-singer |
Songs
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
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Videos
Quizzes
Themes, Symbols & Motifs
Sorry! We do not currently have learning modules for this guide.
Quote Analysis
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Guide Written By:
Alexandra Appleton
Writer, editor and theatre researcher