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Overview

Synopsis

Pulitzer Prize-winning, Driving Miss Daisy, is set in Atlanta and spans twenty-five years, from 1948 to 1973. When Daisy Wertham, a stubborn, elderly Southern widow, crashes her new car into the neighbor’s garage, her son, Boolie, forces her to take on a chauffeur. He employs Hoke Coleburn, much to her chagrin. At first, Daisy refuses to rely on a black man to get her from one place to the next and Hoke spends two weeks sitting in the kitchen doing nothing. Gradually, however, Daisy’s prejudices are broken down and, against all odds, he becomes her best friend. Daisy teaches Hoke to read and write, while Hoke encourages Daisy to let go of her insecurities. Alfred Uhro’s delicate drama explores the experience of aging while the world around you moves forwards at great pace.

Show Information

Category
Play
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
2
First Produced
1987
Genres
Drama, Comedy
Settings
Period, Simple/No Set
Time & Place
Atlanta, 1948-1973
Cast Size
small
Ideal For
small cast, community theatre, professional theatre, elderly cast, Professional Theatre, Regional Theatre, Small Cast, Star Vehicle Female, Star Vehicle Male, Mostly Male Cast, Includes Mature Adult, Elderly, Adult Characters

Context

Plot

Characters

Name Part Size Gender Vocal Part

Hoke Coleburn

Lead

Male

Non-singer

Daisy Werthan

Lead

Female

Non-singer

Boolie Werthan

Supporting

Male

Non-singer

Songs

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A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

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Videos

Quizzes

Themes, Symbols & Motifs

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Quote Analysis

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher