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Kyotopolis

Play

Overview

Synopsis

A darkly comic, theatrical fantasia, Kyotopolis is the third play in Daniel David Moses’ City series and the sequel to Big Buck City. The play continues to follow the journeys of the Indigenous families, the Bucks and the Fishers. The central figure in this play is Babe Fisher, although she is talked about but not seen. She has become the spokesperson and figurehead for the Toward Utopia Family, which heads up the Native nation of Canada. In this New World, eighteen Native Nations now exist with their own governments and ministries. After Babe disappears on a failed space expedition in the Crazy Horse rocket, her family, friends, and fascinated followers try to make sense of what happened. In a dystopian world, Kyotopolis explores differing ideas of communication and the ongoing struggle of First Nations peoples in Canada to find an identity.

Show Information

Category
Play
Age Guidance
Mature Audiences (M)
Number of Acts
2
First Produced
2008
Genres
Dark Comedy, Fairy Tale/Fantasy
Settings
Multiple Settings, Contemporary
Time & Place
A global Indigenous village, The dream of tomorrow
Cast Size
medium
Ideal For
College/University, Diverse Cast, Regional Theatre, Mostly Female Cast, Includes Adult, Mature Adult Characters, Medium Cast

Characters

Showing 8 of 10 characters

Character Portrayals

See StageAgent members who have performed roles in Kyotopolis.

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Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    Aboriginal refers to the Indigenous peoples of Australia, encompassing diverse nations, languages, and traditions. Aboriginal theatre often highlights oral storytelling, dance, and music as vital cultural expressions. Modern Aboriginal drama explores identity, history, and the impact of colonization.

    A dramatic setting depicting a repressive future society, used to explore political and philosophical themes.

    A musical composition with free form and structure, often incorporating multiple themes or variations.

    Indigenous peoples of Canada, whose oral storytelling and ceremonial practices contribute richly to contemporary theatre.

    Refers to the original peoples of a region; their performance traditions often include ritual, storytelling, and dance.

Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher