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Chicken Soup With Barley

Play

Overview

Synopsis

Chicken Soup With Barley is the first in a trilogy of kitchen sink dramas by Arnold Wesker, followed by Roots and I'm Talking About Jerusalem. It follows the path of the Kahn family, who live in the heart of London’s jewish, east-end community. The family are staunch communists, but the play explores how they each struggle to maintain their convictions and political energy as the years progress. As the family is torn apart, so is the ideology to which they cling.

In 1936, they are preparing to participate in the blockade of Cable Street against Oswald Mosley's parading Blackshirt fascists. By act two, the family is dealing with the huge losses and disenchantment with worker solidarity following the end of the Second World War. Finally, we see them in 1956 against the backdrop of the Hungarian Revolution. While Sarah, the matriarch of the family, holds her socialist beliefs deep in her heart, her once youthful and passionate son returns from working in Paris like a disillusioned ghost of his former self.

Chicken Soup With Barley is an important piece of 1950s theatre as it does not shy away from the working-class tensions in post-war Britain and is one of the few plays to offer a sympathetic, yet complex portrayal of a communist family.

Show Information

Category
Play
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
3
First Produced
1956
Genres
Drama
Settings
Period, Multiple Settings
Time & Place
London's East End, 1936-1956
Cast Size
medium
Ideal For
College/University, Community Theatre, Regional Theatre, Professional Theatre, Mostly Male Cast, Includes Adult, Young Adult Characters, Medium Cast

Characters

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Character Portrayals

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Monologues

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Scenes

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Key Terms

    A political ideology often depicted or explored in 20th-century epic or protest theatre for social critique.

    A British theatrical movement from the 1950s–60s that depicted working-class life with gritty realism and domestic conflict.

    An economic and political system advocating collective ownership, explored in drama for its ideals and contradictions.

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher