Overview

Synopsis

Count Casteldoro lives modestly and claims to hate ostentation, but you wouldn’t know it by looking at him. He has decided to enter into a marriage of convenience with Eleonora, the daughter of his illustrious friend Madame Araminta. But Eleonora is in love with another man, so the Count decides to set his sights on the daughter of a poor Marquis and devises a plan that will give him the Marquis’ daughter and land as a package deal.

The Spendthrift Miser (sometimes known as The Ostentatious Miser) is one of Goldoni’s lesser-known works, possibly because it was only performed once during Goldoni’s lifetime. After an accident during the first performance, Goldoni concluded the play was cursed and refused to let it be presented again.

Show Information

Category
Play
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
5
First Produced
1776
Genres
Comedy
Settings
Period, Unit/Single Set
Time & Place
Paris, 1776
Cast Size
medium
Licensor
None/royalty-free
Ideal For
College/University, Community Theatre, Ensemble Cast, Mostly Male Cast, Includes Adult, Young Adult, Mature Adult Characters, Medium Cast

Context

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Plot

Characters

Name Part Size Gender Vocal Part

Count Casteldoro

Lead

Male

Non-singer

Dorimene

Supporting

Female

Non-singer

Eleonora

Supporting

Female

Non-singer

Madame Araminta

Supporting

Female

Non-singer

Marquis del Bosco

Supporting

Male

Non-singer

Chevalier del Bosco

Supporting

Male

Non-singer

Frontino

Featured

Male

Non-singer

Tailor

Featured

Male

Non-singer

Jeweller

Featured

Male

Non-singer

Giacinto

Featured

Male

Non-singer

Fiorillo

Featured

Male

Non-singer

Notary

Featured

Male

Silent

Songs

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A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    A dramatic device where a character speaks directly to the audience or to themselves, unheard by other characters onstage.

    An Italian theatrical form featuring masked stock characters, improvisation, and physical comedy, influential in modern comedy and clowning.

    A member of the ensemble with a named or minor speaking role within a larger group.

    Works not protected by copyright and available for free use or adaptation. Many classical plays, including Shakespeare's, fall into the public domain.

    Recognizable character types used across theatrical traditions, such as the fool, villain, or ingenue.

Videos

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Quizzes

Themes, Symbols & Motifs

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Quote Analysis

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Guide Written By:

Kevan Dunkelberg

Kevan Dunkelberg

Oklahoma-based drama teacher, actor and playwright