Overview

Synopsis

Oscar Wilde’s brilliantly clever comedic masterpiece, The Importance of Being Earnest, was once called by critic W.H. Auden, “the only pure verbal opera in English.” Earnest tells the story of two young gentlemen in London, who each live a double-life, creating elaborate deceptions to find some balance in their lives. John Worthing escapes the burdens of responsibility to have an exciting life in the city, pretending to be his fictitious younger brother Ernest. Algernon Moncrieff, meanwhile, has invented a convenient invalid, Bunbury, whom he uses as an excuse to gallivant off to the country whenever he pleases. When John falls in love with Algernon’s cousin, Gwendolen, he is determined to come clean, but when Gwendolen reveals she can only love a man named Ernest, it somewhat complicates things. When Algernon discovers John’s secret and decides to visit John’s pretty little ward in the country, posing as the debauched “Ernest,” the situation gets entirely more complicated! Hijinks ensue, and the two gentlemen and their ladies are in for more than they ever anticipated when formidable Lady Bracknell, Gwendolen’s mother, begins sleuthing around to uncover the far-fetched truth. Oscar Wilde's brilliant comedy captures with wit and charm the absurdity and delight of the Victorian "age of surfaces" (as Lady Bracknell calls it,) while capturing the struggle of four passionate lovers trying to conform to expectations and, in the most roundabout and delightfully funny way possible, love who they wish and live how they want.

Show Information

Category
Play
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
3
First Produced
1895
Genres
Comedy, Farce, Romance
Settings
Period, Multiple Settings
Time & Place
“the present” (1895), an apartment in london, an english countryside estate
Cast Size
medium
Licensor
None/royalty-free
Ideal For
College/University, Community Theatre, Professional Theatre, Regional Theatre, Mostly Male Cast, Includes Adult, Young Adult, Late Teen, Mature Adult Characters, Medium Cast

Context

Plot

Characters

Name Part Size Gender Vocal Part

Algernon Moncrieff

Lead

Male

Spoken

John (Jack) / “Ernest” Worthing, J.P.

Lead

Male

Spoken

Gwendolen Fairfax

Supporting

Female

Spoken

Cecily Cardew

Supporting

Female

Spoken

Lady Augusta Bracknell

Supporting

Female

Non-singer

Miss Prism

Supporting

Female

Spoken

Reverend Canon Chasuble, D.D.

Supporting

Male

Spoken

Lane

Featured

Male

Spoken

Merriman

Featured

Male

Spoken

Songs

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A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    Aesthetics refers to the set of principles that guide the creation and appreciation of beauty, particularly in the arts. In theatre, it encompasses visual style, emotional resonance, and philosophical ideas that shape the production's overall look and feel.

    An alter ego is a second self or alternate personality that differs from a character’s outward persona. In drama, it can be used as a dramatic device to explore internal conflict or duality.

    A fictional persona invented to escape social obligations, coined from Oscar Wilde’s play *The Importance of Being Earnest*.

    A Comedy of Manners is a dramatic genre that satirizes the customs, behaviors, and social norms of a particular class or group, often through witty dialogue and clever banter. It typically focuses on relationships, courtship, and social pretensions, exposing human vanity and hypocrisy. This style thrives on sharp humor and quick repartee, making it both entertaining and socially revealing.

    A flamboyantly dressed male character obsessed with fashion and refinement, often used for satire in English Renaissance drama.

    Farce is a comedic style that emphasizes exaggerated situations, improbable coincidences, mistaken identities, and rapid pacing. It often includes physical humor such as slamming doors, frantic chases, or characters hiding in plain sight. Farce is designed to generate nonstop laughter, often prioritizing chaos and absurdity over realistic storytelling.

    Works not protected by copyright and available for free use or adaptation. Many classical plays, including Shakespeare's, fall into the public domain.

    Pun

    A play on words that exploits multiple meanings for humorous or rhetorical effect. Puns are especially prevalent in Shakespearean and comedic writing.

    Satire is a dramatic style that uses humor, irony, and exaggeration to criticize human behavior, social institutions, or political systems. In theatre, it highlights flaws and hypocrisies through wit and parody, encouraging audiences to laugh while also reflecting on serious issues. Satire can range from lighthearted comedy to biting social commentary, making it both entertaining and thought-provoking.

    A character who courts another romantically, often central to plots in classical and romantic comedies.

    Characters representing the aristocracy or wealthy elite, often portrayed with distinct costume, accent, and mannerisms.

    Relating to the period of Queen Victoria’s reign (1837–1901), which influenced theatrical style, costume, and themes.

    A district or division, sometimes referring to the care or guardianship of another, used in early modern plays to suggest duty or protection.

    Relating to Oscar Wilde’s distinctive wit, satire, and social commentary found in his dramatic and literary works.

    Wit

    Wit in theatre refers to the quick, clever use of language to create humor or reveal deeper truths about characters and situations. It often relies on sharp wordplay, irony, or unexpected turns of phrase to keep audiences engaged. Wit is commonly found in comedies and serves both to entertain and to highlight human flaws in a lighthearted way.

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Themes, Symbols & Motifs

Quote Analysis

Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher