
Overview
Synopsis
Playwright Matthew Lopez’s first work, The Whipping Man, has been sweeping regional and professional theaters since its debut. The play examines a vital, but not often spoken of period in American history, the post-Civil War South, as former slaves and slavemasters struggled to acclimate to the new emancipated social order. The play is set in Richmond, Virginia in April of 1865. The Confederacy has just surrendered and throughout the South, slaves are being freed and soldiers are returning home. Caleb DeLeon, grievously wounded and starving, returns to his family home in Richmond to discover an empty house. His mother and father have fled from the destruction of the war. Only Simon, the old family slave, remains. Simon is guarding and tending to the property as best he can while waiting for the return of his wife and daughter, also former slaves of the DeLeons. That same day, John, another former slave of the DeLeons’, also returns. He has been using the house as a cache for items he has looted from the surrounding abandoned homes. The three must navigate their new relationships while settling with demons from the past, culminating in a Passover Seder where former master and slaves must decide where honesty and loyalty will lie.
Show Information
Context
Plot
Characters
Name | Part Size | Gender | Vocal Part |
---|---|---|---|
Lead |
Male |
Spoken |
|
Lead |
Male |
Spoken |
|
Lead |
Male |
Spoken |
Songs
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
Abolitionism was a 19th-century movement dedicated to ending slavery and the slave trade. It influenced theatre, literature, and performance as artists engaged with themes of freedom and human rights. Plays addressing abolitionist ideas often carried strong political and moral messages.
A recurring theme in historical drama, particularly reflecting internal conflict, loyalty, and national identity.
A cultural region of the United States often explored in theatre for its historical legacies of race, class, and tradition.
Smaller New York theatres producing innovative and experimental works, often stepping stones to Broadway.
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