David William

David William (1926–2010) was a British actor, director, and playwright best known for his leadership in classical theatre and his commitment to making Shakespeare and other canonical works accessible to broad audiences. While he was primarily recognized for his work as a director and arts administrator, William also contributed to theatre as a playwright and adaptor, particularly during his tenure with prominent theatre institutions in both the United Kingdom and Canada.

Born on June 24, 1926, in London, England, David William studied at Bryanston School and later at Oxford University, where he was a contemporary of several future theatrical luminaries. Early in his career, he trained as an actor before gravitating toward directing and literary work. His deep appreciation for classical texts and strong intellectual grounding made him a natural interpreter and adaptor of dramatic literature.

William served as the artistic director of the New Shakespeare Company at Regent’s Park Open Air Theatre in London from 1962 to 1968, where he worked to modernize and invigorate outdoor performances of Shakespeare’s plays. His leadership helped elevate the company’s reputation and brought a fresh sensibility to classical productions. Later, he served as the artistic director of Canada’s Stratford Festival from 1990 to 1993, where he focused on expanding the festival’s repertoire and nurturing Canadian talent, both onstage and among its creative teams.

In addition to directing, William occasionally adapted works for the stage and wrote commentary and dramaturgical materials. His adaptations were marked by a respect for original texts alongside an eye for clarity and relevance for modern audiences. Though he was not a prolific playwright in the traditional sense, his literary and dramatic contributions enriched many of the institutions he served.

David William passed away on July 28, 2010. He is remembered as a passionate advocate for classical theatre and an influential figure in the international theatrical community. His legacy endures through the performances he directed, the institutions he shaped, and his lifelong commitment to the transformative power of drama.