
Costume, Makeup and Special Effects
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Introduction
This guide will look at the three important production elements of Shakespeare’s plays: costume, makeup, and special effects. During the Elizabethan and Jacobean eras, costume was a major investment for an acting company. Makeup was also important in defining a character to the audience and identifying age, status, and race. Finally, plays in Shakespeare’s day did not make extensive use of scenery or elaborate sets, but chose instead to rely on the language and text of the play to convey the setting and atmosphere. However, they did make fine use of certain special effects to enhance their productions, which we will explore.
Key Dates & Events
- 1592 - William Shakespeare left his family behind in Stratford-upon-Avon to move to London around this time.
- 1599 - The first Globe Theatre opened and was a huge success.
- 1599 - The first of Shakespeare’s plays to be performed at the Globe Theatre was believed to have been Julius Caesar.
- 1613 - The first Globe Theatre burned down in an hour when a burning roll of gunpowder set alight the wall of the theatre during a performance of Henry VIII.
Context & Analysis
Costume
During the Elizabethan and Jacobean eras, costume was a major investment for an acting company. As many of the contemporary plays centered round kings, queens, and various rankings of nobility, their dress reflected their elevated social status. Remember that these were all-male companies and so men and young boys would wear the gowns and laces that adorned
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Guides
Key Plays
- Othello
- Hamlet
- Macbeth
- Romeo and Juliet
- Two Gentlemen of Verona
- Richard III
- Henry V
- Antony and Cleopatra
- All’s Well That Ends Well
- The Comedy of Errors
- A Midsummer Night’s Dream
- Coriolanus
- The Taming of the Shrew
- King Lear
- Measure For Measure
- The Merchant of Venice
- Much Ado About Nothing
- The Tempest
- Twelfth Night
- Love’s Labour's Lost
- As You Like It
- Henry IV Part I
- Henry IV Part II
- Henry VI, Part I
- Henry VI, Part II
- Henry VI, Part III
- Julius Caesar
- The Merry Wives of Windsor
- Richard II
- Titus Andronicus
- Timons of Athens
- Troilus and Cressida
- The Winter’s Tale
- Henry VIII
- King John
- Pericles, Prince of Tyre
- The Two Noble Kinsmen
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Alexandra Appleton
Writer, editor and theatre researcher