
Theatre of the Absurd
c.1947-1989
Introduction
The Theatre of the Absurd emerged in a post-war era, in a world where the precariousness of human existence had never felt more pronounced. It was hugely influenced by the growing popularity of existentialism in Europe. This guide will look at the origins of the movement and the need to communicate post-war society on stage. It then looks at the common elements of an absurdist play and some of the most influential absurdist playwrights.
Terminology
- Avant-Garde Theatre: experimental theatre that began in France in the mid-nineteenth century as a reaction against accepted traditional theatre and dramatic ideas.
- Existentialism: a philosophical theory which emphasizes the existence of the individual person with their own free will.
- Non-linear: not sequential or straightforward.
Key Dates & Events
- 1906 - 1989 - Life of Samuel Beckett
- 1909 - 1994 - Life of Eugène Ionesco
- 1910 - 1986 - Life of Jean Genet
- 1947 - Premiere of Jean Genet’s The Maids
- 1950 - Premiere of Eugène Ionesco’s The Bald Soprano
- 1953 - Premiere of Samuel Beckett’s Waiting For Godot
- 1961 - Jean Genet's The Blacks opened Off-Broadway at St. Mark's Playhouse and became the longest-running non-musical of the decade.
Context & Analysis
The Theatre of the Absurd movement began in the small, avant-garde theatres of Paris, located in the Latin Quarter. Writers such as Jean Genet, Eugene Ionesco, Arthur Adamov, and Samuel Beckett led the movement, however there was no organized school of playwrights who consciously claimed the movement as a collective.
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Guides
Key Playwrights
Key Plays
- The Maids
- Waiting for Godot
- Endgame
- Happy Days
- The Bald Soprano
- The Chairs
- Exit the King
- Six Characters in Search of an Author
- Rosencrantz and Guildenstern are Dead
- Travesties
- The Real Inspector Hound
- The Goat, or Who is Sylvia?
- Three Tall Women
- At Home at the Zoo
- Krapp's Last Tape
- The Balcony
- Henry IV (Enrico Quarto)
- The Blacks
- Rhinoceros
- The Empire Builders
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Alexandra Appleton
Writer, editor and theatre researcher