Overview
- Female: 1
- Male: 1
Context
This confrontation takes place in Act 2 of Oscar Wilde’s classic comedy of manners, immediately following Mrs. Erlynne’s arrival at Lady Windermere’s 21st birthday ball. Believing her husband is having an affair with Mrs. Erlynne, Lady Windermere is devastated that Lord Windermere forced her to invite the mysterious woman into their home. Unaware that Mrs. Erlynne is actually her long-lost mother whose secret Lord Windermere is protecting, Lady Windermere seeks solace from Lord Darlington, who
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Lady Windermere. Yes. Her coming here is monstrous, unbearable. I know now what you meant to-day at tea-time. Why didn’t you tell me right out? You should have!
Lord Darlington. I couldn’t! A man can’t tell these things about another man! But if I had known he was going to make you ask her here to-night, I think I would have told you. That insult, at any rate, you would have been spared.
Lady Windermere. I did not ask her. He insisted on her coming—against my entreaties—against my commands. Oh! the house is tainted for me! I feel that every woman here sneers at me as she dances by with my husband. What have I done to deserve this? I gave him all my life. He took it—used it—spoiled it! I am degraded in my own eyes; and I lack courage—I am a coward! [Sits down on sofa.]
Lord Darlington. If I know you at all, I know that you can’t live with a man who treats you like this! What sort of life would you have with him? You would feel that he was lying to you every moment of the day. You would feel that the look in his eyes was false, his voice false, his touch false, his passion false. He would come to you when he was weary of others; you would have to comfort him. He would come to you when he was devoted to others; you would have to charm him. You would have to be to him the mask of his real life, the cloak to hide his secret.
Lady Windermere. You are right—you are terribly right. But where am I to turn? You said you would be my friend, Lord Darlington.—Tell me, what am I to do? Be my friend now.
Lord Darlington. Between men and women there is no friendship possible. There is passion, enmity, worship, love, but no friendship. I love you—
Lady Windermere. No, no! [Rises.]
Lord Darlington. Yes, I love you! You are more to me than anything in the whole world. What does your husband give you? Nothing. Whatever is in him he gives to this wretched woman, whom he has thrust into your society, into your home, to shame you before every one. I offer you my life—
Lady Windermere. Lord Darlington!
Lord Darlington. My life—my whole life. Take it, and do with it what you will. . . . I love you—love you as I have never loved any living thing. From the moment I met you I loved you, loved you blindly, adoringly, madly! You did not know it then—you know it now! Leave this house to-night. I won’t tell you that the world matters nothing, or the world’s voice, or the voice of society. They matter a great deal. They matter far too much. But there are moments when one has to choose between living one’s own life, fully, entirely, completely—or dragging out some false, shallow, degrading existence that the world in its hypocrisy demands. You have that moment now. Choose! Oh, my love, choose.
Lady Windermere. [Moving slowly away from him, and looking at him with startled eyes.] I have not the courage.
Lord Darlington. [Following her.] Yes; you have the courage. There may be six months of pain, of disgrace even, but when you no longer bear his name, when you bear mine, all will be well. Margaret, my love, my wife that shall be some day—yes, my wife! You know it! What are you now? This woman has the place that belongs by right to you. Oh! go—go out of this house, with head erect, with a smile upon your lips, with courage in your eyes. All London will know why you did it; and who will blame you? No one. If they do, what matter? Wrong? What is wrong? It’s wrong for a man to abandon his wife for a shameless woman. It is wrong for a wife to remain with a man who so dishonours her. You said once you would make no compromise with things. Make none now. Be brave! Be yourself!
Lady Windermere. I am afraid of being myself. Let me think! Let me wait! My husband may return to me. [Sits down on sofa.]
Lord Darlington. And you would take him back! You are not what I thought you were. You are just the same as every other woman. You would stand anything rather than face the censure of a world, whose praise you would despise. In a week you will be driving with this woman in the Park. She will be your constant guest—your dearest friend. You would endure anything rather than break with one blow this monstrous tie. You are right. You have no courage; none!
Lady Windermere. Ah, give me time to think. I cannot answer you now. [Passes her hand nervously over her brow.]
Lord Darlington. It must be now or not at all.
Lady Windermere. [Rising from the sofa.] Then, not at all! [A pause.]
Lord Darlington. You break my heart!
Lady Windermere. Mine is already broken. [A pause.]
Lord Darlington. To-morrow I leave England. This is the last time I shall ever look on you. You will never see me again. For one moment our lives met—our souls touched. They must never meet or touch again. Good-bye, Margaret. [Exit.]
Lady Windermere. How alone I am in life! How terribly alone!
[For full play text, see:
http://www.gutenberg.org/files/790/790-h/790-h.htm]
Performance Tips
- Resist the temptation to play Lord Darlington as a mustache-twirling villain; ground his persuasion in genuine, passionate desire mixed with real Victorian romantic idealization.
- Maintain high-society posture and vocal crispness even while emotionally unraveling, allowing the physical restraint of Victorian etiquette to highlight the internal panic.
- Pay close attention to the spatial distance between the two actors; use Lord Darlington’s physical advances to visibly trap Lady Windermere
Emotional Beat Breakdown
1. The Betrayal Confirmed and the Proposal Offered
What shifts: The dynamic moves from mutual condemnation of Lord Windermere's betrayal to Lord Darlington taking a radical leap by confessing his romantic devotion.
Character objectives: Lady Windermere seeks validation and counsel for her disgrace, while Lord Darlington aims to exploit her vulnerability to declare his love and offer an escape.
Performance note: Keep the initial dialogue brisk and hushed to convey the threat of the party
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