Overview
- Female: 1
- Male: 1
Context
In the final scene of the play, Alsemero finally confronts his wife Beatrice, demanding to know if she is honest. She is the only woman he has ever loved, but he fears that she has not been faithful to him, especially after his friend Jasperino overheard Beatrice talking to De Flores, her father’s servant. Soon, Alsemero learns that Beatrice sacrificed herself, her virginity, her honor, and her sanity to be able to marry him.
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ALSEMERO Did my fate wait for this unhappy stroke
At my first sight of woman?
Enter Beatrice.
She's here.
BEATRICE Alsemero!
ALSEMERO How do you?
BEATRICE How do I?
Alas! How do you? You look not well.
ALSEMERO You read me well enough; I am not well.
BEATRICE Not well, sir? Is't in my power to better you?
ALSEMERO Yes.
BEATRICE Nay, then y'are cur'd again.
ALSEMERO Pray resolve me one question, lady.
BEATRICE If I can.
ALSEMERO None can so sure. Are you honest?
BEATRICE Ha, ha, ha, that's a broad question, my lord.
ALSEMERO But that's not a modest answer, my lady:
Do you laugh? My doubts are strong upon me
BEATRICE 'Tis innocence that smiles, and no rough brow
Can take away the dimple in her cheek.
Say I should strain a tear to fill the vault,
Which would you give the better faith to?
ALSEMERO 'Twere but hypocrisy of a sadder colour,
But the same stuff; neither your smiles nor tears
Shall move or flatter me from my belief: You are a whore.
BEATRICE What a horrid sound it hath!
It blasts a beauty to deformity;
Upon what face soever that breath falls,
It strikes it ugly: oh, you have ruin'd
What you can ne'er repair again!
ALSEMERO I'll all demolish and seek out truth within you,
If there be any left: let your sweet tongue
Prevent your heart's rifling; there I'll ransack
And tear out my suspicion.
BEATRICE You may, sir,
'Tis an easy passage; yet if you please,
Show me the ground whereon you lost your love.
My spotless virtue may but tread on that Before I perish.
ALSEMERO Unanswerable;
A ground you cannot stand on: you fall down
Beneath all grace and goodness when you set
Your ticklish heel on't. There was a visor
O'er that cunning face, and that became you;
Now impudence in triumph rides upon't.
How comes this tender reconcilement else
'Twixt you and your despite, your rancourous loathing,
Deflores? He that your eye was sore at sight of, He's now become your arms' supporter, your
Lips' saint.
BEATRICE Is there the cause?
ALSEMERO Worse: your lust's devil,
Your adultery.
BEATRICE Would any but yourself say that,
'Twould turn him to a villain.
ALSEMERO 'Twas witness'd
By the counsel of your bosom, Diaphanta.
BEATRICE Is your witness dead then?
ALSEMERO 'Tis to be fear'd
It was the wages of her knowledge, poor soul;
She liv'd not long after the discovery.
BEATRICE Then hear a story of not much less horror
Than this your false suspicion is beguil'd with.
To your bed's scandal I stand up innocence,
Which even the guilt of one black other deed
Will stand for proof of: your love has made me
A cruel murderess.
ALSEMERO Ha!
BEATRICE A bloody one.
I have kiss'd poison for't, strok'd a serpent,
That thing of hate, worthy in my esteem
Of no better employment, and him most worthy
To be so employ'd I caus'd to murder
That innocent Piracquo, having no
Better means than that worst, to assure
Yourself to me.
ALSEMERO Oh, the place itself e'er since
Has crying been for vengeance, the temple
Where blood and beauty first unlawfully
Fir'd their devotion and quench'd the right one.
'Twas in my fears at first: 'twill have it now.
Oh, thou art all deform'd!
BEATRICE Forget not, sir,
It for your sake was done: shall greater dangers
Make the less welcome?
ALSEMERO Oh, thou shouldst have gone
A thousand leagues about to have avoided
This dangerous bridge of blood; here we are lost.
BEATRICE Remember I am true unto your bed.
ALSEMERO The bed itself's a charnel, the sheets shrouds
For murdered carcasses; it must ask pause
What I must do in this. Meantime you shall
Be my prisoner only; enter my closet.
Exit Beatrice.
I'll be your keeper yet. Oh, in what part
Of this sad story shall I first begin?
Thomas Middleton and William Rowley. The Changeling. http://www.tech.org/~cleary/change.html.
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