Overview
- Female: 4
- Male: 0
Context
Margaret has just arrived at Harriet’s formal sitting room for tea. Both women have primitive selves shadowing them: Hetty voices Harriet’s bitterness at losing her first love John to Margaret; Maggie voices Margaret’s hunger and desperate poverty. Both women have ulterior motives for meeting with each other, and hide their true feelings and intentions which are voiced by the primitive selves. Hetty speaks to Harriet and Maggie, while Maggie speaks to Margaret and Hetty.
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HARRIET: Oh, Margaret, I'm so glad to see you!
HETTY: [to MAGGIE] That's a lie.
MARGARET: [in superficial voice throughout] It's enchanting to see you, Harriet.
MAGGIE: [in emotional voice throughout] I'd bite you, if I dared.
HARRIET: [to MARGARET] Wasn't our meeting a stroke of luck?
MARGARET: [coming down left of table] I've thought of you so often, Harriet; and to come back and find you living in New York.
HARRIET: [coming down right of table] Mr. Goodrich has many interests here.
MAGGIE: [to MARGARET] Flatter her.
MARGARET: I know, Mr. Goodrich is so successful.
HETTY: [to HARRIET] Tell her we're rich.
HARRIET: [to MARGARET] Won't you sit down?
MARGARET: [takes a chair] What a beautiful lamp!
HARRIET: Do you like it? I'm afraid Charles paid an extravagant price.
MAGGIE: [to HETTY] I don't believe it.
MARGARET: [sitting down. To HARRIET] I am sure he must have.
HARRIET: [sitting down] How well you are looking, Margaret.
HETTY: Yes, you are not. There are circles under your eyes.
MAGGIE: [to HETTY] I haven't eaten since breakfast and I'm hungry.
MARGARET: [to HARRIET] How well you are looking, too.
MAGGIE: [to HETTY] You have hard lines about your lips, are you happy?
HETTY: [to HARRIET] Don't let her know that I'm unhappy.
HARRIET: [to MARGARET] Why shouldn't I look well? My life is full, happy, complete --
MAGGIE: I wonder.
HETTY: [in HARRIET'S ear] Tell her we have an automobile.
MARGARET: [to HARRIET] My life is complete, too.
MAGGIE: My heart is torn with sorrow; my husband cannot make a living. He will kill himself if he does not get an order for a painting.
MARGARET: [laughs] You must come and see us in our studio. John has been doing some excellent portraits. He cannot begin to fill his orders.
HETTY: [to HARRIET] Tell her we have an automobile.
HARRIET: [to MARGARET] Do you take lemon in your tea?
MAGGIE: Take cream. It's more filling.
MARGARET: [looking nonchalantly at tea things] No, cream, if you please. How cozy!
MAGGIE: [glaring at tea things] Only cakes! I could eat them all!
HARRIET [to MARGARET] How many lumps?
MAGGIE: [to MARGARET] Sugar is nourishing.
MARGARET: [to HARRIET] Three, please. I used to drink very sweet coffee in Turkey and ever since I've --
HETTY: I don't believe you were ever in Turkey.
MAGGIE: I wasn't, but it is none of your business.
HARRIET: [pouring tea] Have you been in Turkey, do tell me about it.
MAGGIE: [to MARGARET] Change the subject.
MARGARET: [to HARRIET] You must go there. You have so much taste in dress you would enjoy seeing their costumes.
MAGGIE: Isn't she going to pass the cake?
MARGARET: [to HARRIET] John painted several portraits there.
HETTY: [to HARRIET] Why don't you stop her bragging and tell her we have an automobile?
HARRIET: [offers cake across the table to MARGARET] Cake?
MAGGIE: [stands back of MARGARET, shadowing her as HETTY shadows HARRIET. MAGGIE reaches claws out for the cake and groans with joy] At last! [But her claws do not touch the cake.]
MARGARET: [with a graceful, nonchalant hand places cake upon her plate and bites at it slowly and delicately] Thank you.
HETTY: [to HARRIET] Automobile!
MAGGIE: [to MARGARET] Follow up the costumes with the suggestion that she would make a good model for John. It isn't too early to begin getting what you came for.
MARGARET: [ignoring MAGGIE] What delicious cake.
HETTY: [excitedly to HARRIET] There's your chance for the auto.
HARRIET: [nonchalantly to MARGARET] Yes, it is good cake, isn't it? There are always a great many people buying it at Harper's. I sat in my automobile fifteen minutes this morning waiting for my chauffeur to get it.
MAGGIE: [to MARGARET] Make her order a portrait.
MARGARET: [to HARRIET] If you stopped at Harper's you must have noticed the new gowns at Henderson's. Aren't the shop windows alluring these days?
HARRIET: Even my chauffeur notices them.
MAGGIE: I know you have an automobile, I heard you the first time.
MARGARET: I notice gowns now with an artist's eye as John does. The one you have on, my dear, is very paintable.
HETTY: Don't let her see you're anxious to be painted.
HARRIET: [nonchalantly] Oh, it's just a little model.
MAGGIE: [to MARGARET] Don't seem anxious to get the order.
MARGARET: [nonchalantly] Perhaps it isn't the gown itself but the way you wear it that pleases the eye. Some people can wear anything with grace.
HETTY: Yes, I'm very graceful.
HARRIET: [to MARGARET] You flatter me, my dear.
MARGARET: On the contrary, Harriet, I have an intense admiration for you. I remember how beautiful you were -- as a girl. In fact, I was quite jealous when John was paying you so much attention.
HETTY: She is gloating because I lost him.
HARRIET: Those were childhood days in a country town.
MAGGIE: [to MARGARET] She's trying to make you feel that John was only a country boy.
MARGARET: Most great men have come from the country. There is a fair chance that John will be added to the list.
HETTY: I know it and I am bitterly jealous of you.
HARRIET: Undoubtedly he owes much of his success to you, Margaret, your experience in economy and your ability to endure hardship. Those first few years in Paris must have been a struggle.
MAGGIE: She is sneering at your poverty.
MARGARET: Yes, we did find life difficult at first, not the luxurious start a girl has who marries wealth.
Alice Gerstenberg. Overtones. http://www.one-act-plays.com/dramas/overtones.html
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