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Overview
Synopsis
Lying alone in her apartment, a young woman waits for a telephone call from her ex. Several wrong numbers come through first, and each time she answers with increasing excitement, until finally she hears the voice she wants to. Through a series of anxiety-laden moments when the telephone call drops, she gradually reveals that she tried to commit suicide the previous night, She called her friend who arrived with the doctor and kept her safe. She has been spending a lot of time with the telephone since their separation.
Over the telephone she can hear music playing in the background and accuses her ex of being with someone else, to which he does not respond. The final time he calls back, she tells him she has wrapped the telephone cord around her neck, and falls to the bed repeating that she loves him.
Poulenc’s one-act opera for solo soprano is an intense retelling of Jean Cocteau’s play of the same name. It offers an important theatrical and musical examination of somebody struggling with their mental health after a difficult break up, and the importance of communication.
Show Information
- Music
- Francis Poulenc
- Libretto
- Francis Poulenc , Jean Cocteau
- Based on the Play/Book/Film
- 'La voix humaine' by Jean Cocteau
- Category
- Opera
- Age Guidance
- Thirteen Plus (PG-13)
- Number of Acts
- 1
- First Produced
- 1959
- Genres
- Drama
- Settings
- Simple/No Set, Unit/Single Set
- Time & Place
- france, early 20th century
- Cast Size
- small
- Orchestra Size
- Small
- Dancing
- None
- Licensor
- Ricordi/Casa Ricordi
- Ideal For
- All-Female Cast, Chamber Opera, College/University, Professional Opera, Small Cast, Star Vehicle Female, Includes Young Adult, Adult Characters
Context
Plot
Characters
Name | Part Size | Gender | Vocal Part |
---|---|---|---|
Lead |
Female |
Soprano |
Songs
_This one-act, forty-minute-long, opera is through composed and does not have strict scene delineations. Guidelines are given here for different divisions which mark shifts in the experience of the protagonist. There is only one character, who sings in every scene. _
"Allô, allô, mais non, madame"
"Allô, c'est toi? oui, très bien"
"Souviens-toi du dimanche de Versailles"
"Allô! et comme ça?"
"Allô, c'est toi? Mais non, mademoiselle"
"Allô! ah! chéri, c'est toi?”
“Oh! Rien de grave, mon chéri”
"C'est inutile, du reste le docteur de Marthe reviendra demain"
"Voilà deux jours qu'il ne quitte pas l'antichambre"
"Rien, je crois que nous parlons comme d'habitude"
"On avait coupé"
"Alors, voilà, j'allais dire machinalement"
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
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