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Overview

Synopsis

Lying alone in her apartment, a young woman waits for a telephone call from her ex. Several wrong numbers come through first, and each time she answers with increasing excitement, until finally she hears the voice she wants to. Through a series of anxiety-laden moments when the telephone call drops, she gradually reveals that she tried to commit suicide the previous night, She called her friend who arrived with the doctor and kept her safe. She has been spending a lot of time with the telephone since their separation.

Over the telephone she can hear music playing in the background and accuses her ex of being with someone else, to which he does not respond. The final time he calls back, she tells him she has wrapped the telephone cord around her neck, and falls to the bed repeating that she loves him.

Poulenc’s one-act opera for solo soprano is an intense retelling of Jean Cocteau’s play of the same name. It offers an important theatrical and musical examination of somebody struggling with their mental health after a difficult break up, and the importance of communication.

Show Information

Based on the Play/Book/Film
'La voix humaine' by Jean Cocteau
Category
Opera
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
1
First Produced
1959
Genres
Drama
Settings
Simple/No Set, Unit/Single Set
Time & Place
france, early 20th century
Cast Size
small
Orchestra Size
Small
Dancing
None
Ideal For
All-Female Cast, Chamber Opera, College/University, Professional Opera, Small Cast, Star Vehicle Female, Includes Young Adult, Adult Characters

Context


Plot


Characters

Name Part Size Gender Vocal Part

Elle

Lead

Female

Soprano

Songs

_This one-act, forty-minute-long, opera is through composed and does not have strict scene delineations. Guidelines are given here for different divisions which mark shifts in the experience of the protagonist. There is only one character, who sings in every scene. _

"Allô, allô, mais non, madame"

"Allô, c'est toi? oui, très bien"

"Souviens-toi du dimanche de Versailles"

"Allô! et comme ça?"

"Allô, c'est toi? Mais non, mademoiselle"

"Allô! ah! chéri, c'est toi?”

“Oh! Rien de grave, mon chéri”

"C'est inutile, du reste le docteur de Marthe reviendra demain"

"Voilà deux jours qu'il ne quitte pas l'antichambre"

"Rien, je crois que nous parlons comme d'habitude"

"On avait coupé"

"Alors, voilà, j'allais dire machinalement"

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

All monologues are the property and copyright of their owners.. Monologues are presented on StageAgent for educational purposes only. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor.

Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

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Guide Written By:

Wendy Silvester

Wendy Silvester

Singer and vocal coach based in the UK.