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Into the Woods

Musical

Overview

Synopsis

“Be careful what you wish for” seems to be the ongoing theme in Stephen Sondheim and James Lapine’s Brothers Grimm inspired musical, Into the Woods. The story follows The Baker and his wife who wish to have a child, Cinderella who wishes to go the King’s Festival, and Jack who wishes his cow would give some milk. When the Baker and his wife are visited by the neighborhood witch, who reveals to them that she placed a curse on their family, the two set off on a journey into the woods to reverse the curse. Also in the woods, we meet Little Red, who is trying to visit her grandmother, the Wolf who loves tasty little girls, the Witch’s daughter Rapunzel, and the Princes chasing after their loves. By the end of Act One, everyone has gotten their wish and will seemingly live happily ever after. But in Act Two, when Jack’s beanstalk brings them a visit from an angry Giant, we see how the consequences of their actions haunt them in disastrous ways. The community must come together to save each other and their kingdom, but sacrifices must be made.

Show Information

Conceived By
Category
Musical
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
2
First Produced
1986
Genres
Fairy Tale/Fantasy
Settings
Multiple Settings
Time & Place
A fairy tale kingdom; The woods
Cast Size
large
Orchestra Size
Large
Dancing
None
Ideal For
Chamber Opera, College/University, Community Theatre, Diverse Cast, Ensemble Cast, High School, Large Cast, Professional Theatre, Regional Theatre, Theatre For Young Audiences (TYA), Mostly Female Cast, Includes Young Adult, Adult, Mature Adult, Late Teen, Child, Early Teen, Elderly Characters

Context

Plot

Characters

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Interactive Character Map

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Understand the relationships that shape the story of Into the Woods

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Character Portrayals

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Songs

Showing 8 of 31 songs

A song with an asterisk (*) before the title indicates a dance number.

Themes, Symbols & Motifs

Quote Analysis

Key Terms

    A low female vocal range used in opera and musical theatre, often assigned to mature or dramatic roles.

    A male vocal range between tenor and bass, often used for romantic leads, villains, or father figures in opera and musicals.

    The lowest male vocal range, typically associated with characters of authority, wisdom, or villainy in opera and musicals.

    A powerful, resonant singing technique used in musical theatre to project high notes with chest voice.

    In musical theatre, the script or spoken text of the show, not including the music or lyrics.

    A combination of musical notes played simultaneously, forming harmony.

    A musical style that uses notes outside the key to create tension and color.

    In theatre, refers to the collective of artists, audience, and supporters, or to a type of amateur or local theatre.

    A spoken or symbolic expression of ill will, often used in drama to introduce supernatural or emotional conflict.

    A combination of tones that creates tension or a lack of harmony, often used for dramatic effect.

    A genre of story involving magical and fantastical elements, sometimes adapted for theatrical performance.

    A male vocal range above baritone, commonly featured in opera and musical theatre for romantic or heroic lead characters.

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher