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Overview
Synopsis
Lerner and Loewe’s majestic Camelot brings the legend of King Arthur and his Knights of the Round Table to life with an extraordinary score and a story that poignantly dramatizes the human conflict at the heart of this classic tale. Based on T.H. White’s novel, The Once and Future King, Camelot tells the story of Arthur, a young squire who becomes King after extracting the sword Excalibur from its legendary rock. Camelot opens in the midst of the battle that destroyed King Arthur’s kingdom, and goes back to tell the story of how the battle came to be. The musical follows Arthur from a young, ambitious, idealistic King who dreams of creating a just society to the despairing king bearing witness to his dream’s demise. Arthur’s dream is inspired by his vivacious Queen Guenevere. Together, they create a kingdom where might works at the service of right and the King serves at a round table with no head — a symbol of collaboration and unity. But just as this utopian vision starts to become reality, everything begins to unravel. When Guenevere falls in love with Arthur’s most celebrated, beloved, and loyal knight, Lancelot, they begin a romance as doomed as it is passionate. Their troubles are compounded when Arthur’s illegitimate son, Mordred, arrives on the scene. In a world of human realities, can Camelot achieve the utopia of which Arthur dreams?
Show Information
Context
Director Moss Hart and lyricist Alan Jay Lerner first decided they wanted to write a musical based on the novel The Once and Future King by T. H. White in 1959. Although composer Frederick Loewe wasn’t initially interested in the project after their recent success with My Fair Lady, he eventually agreed on the condition that this show would be his last if it was not successful. Camelot first premiered only a year later at the O’Keefe Centre in Toronto to mixed reviews. Though the show
to read the context for Camelot and to unlock other amazing theatre resources!Plot
Act One
The show opens with King Arthur hiding in a tree, racked with nerves about his upcoming arranged marriage. His mentor, Merlin the Magician, arrives and chides him for his cowardly, unroyal-like behavior. Because Merlin can see both the future and the present, he knows his time with King Arthur will soon end and encourages Arthur to find independence and think for himself. Once left on his own again, Arthur reflects on his upcoming marriage and Merlin’s wise words (“I Wonder What
to read the plot for Camelot and to unlock other amazing theatre resources!Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
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Lead |
Female |
Soprano |
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Lead |
Male |
Baritone |
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Lead |
Male |
Baritone |
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Supporting |
Male |
Spoken |
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Supporting |
Male |
Tenor |
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Featured |
Male |
Spoken |
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Featured |
Female |
Mezzo-Soprano |
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Featured |
Male |
Spoken |
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Featured |
Male |
Tenor |
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Featured |
Male |
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Featured |
Male |
Tenor |
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Featured |
Male |
Spoken |
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Featured |
Female |
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Featured |
Female |
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Featured |
Female |
Spoken |
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Ensemble |
Either Gender |
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Ensemble |
Male |
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Ensemble |
Male |
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Ensemble |
Male |
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Ensemble |
Male |
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Ensemble |
Male |
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Ensemble |
Male |
Spoken |
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Ensemble |
Male |
Silent |
Songs
Act One
- "Overture"
- "The March [Parade]" – Instrumental
- "I Wonder What the King Is Doing Tonight" – Arthur
- "The Simple Joys of Maidenhood" – Guenevere
- "Camelot" – Arthur
- "Camelot" (reprise) – Arthur, Guenevere
- "Follow Me" – Nimue
- "C'est Moi" – Lancelot
- "The Lusty Month of May" – Guenevere, Ensemble
- ”Then You May Take Me to the Fair" – Guenevere, Sir Lionel, Sir Sagramore, Sir Dinaden (This song was cut early on in this Broadway run, though it features on the cast album and also in the later film. Nonetheless, it is not part of the standard licensed version of the production.)
- "How To Handle a Woman" – Arthur
- "The Jousts" – Arthur, Guenevere, Ensemble
- "Before I Gaze at You Again" – Guenevere
Act Two
- "If Ever I Would Leave You" – Lancelot
- "The Seven Deadly Virtues" – Mordred
- "What Do the Simple Folk Do?" – Arthur and Guenevere
- "Fie on Goodness!" – Mordred & Knights (This song was cut shortly into the Broadway run, still on cast album, but not part of the standard licensed version of the production.)
- "I Loved You Once In Silence" – Guenevere
- "Guenevere" – Ensemble
- "Camelot" (reprise) – King Arthur
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
An adaptation is a reworking of a story from one medium or cultural context into another, such as turning a novel into a play or updating a classic play’s setting. Adaptations often reinterpret themes, characters, and style for new audiences. They can range from faithful recreations to bold reimaginings.
A ballad is a song style that tells a story through simple, lyrical verses and a steady rhythm. In theatre, ballads are often slow and emotional, allowing characters to reveal deep feelings or reflect on personal journeys. They can be used to highlight romance, longing, or moments of dramatic intensity.
A period of artistic flourishing, often referring to 1940s-60s Broadway or English Renaissance theatre. This term plays a vital role in understanding theatrical structure and is commonly encountered in stagecraft or performance settings.
The “Golden Age Musical” refers to Broadway shows written roughly between the 1940s and 1960s, a period known for integrating songs, story, and character development. These musicals often balanced romance, comedy, and social themes with memorable melodies and large ensembles. Classics from this era continue to shape the foundation of modern musical theatre.
A body of traditional stories involving gods, heroes, and creation myths. Mythology provides inspiration for characters and narratives in global theatre traditions.
The betrayal of one’s country, commonly portrayed in political and historical plays as a central conflict involving loyalty and power.
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Themes, Symbols & Motifs
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Guide Written By:
Mychele Lebrun
Canadian music theatre artist currently based in London, England.
