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Overview

Synopsis

Shuffle Along centers around the upcoming mayoral election in Jimtown. Sam Peck and Steve Jenkins, partners in the local grocery store, both decide to run for mayor and make a corrupt pact. If either of them wins, they will appoint the other as Chief of Police. Supported by Tom Sharper, a dishonest campaign manager, Steve wins the election and makes good his promise to Sam. However, their arrangement clearly will not last, as their constant bickering gets the better of them and they come to blows in a comical ballet-fight. All is not lost however, as their virtuous opponent, Harry Walton, has a mysterious ally. Detective Jack Penrose is a stranger in town, but he decides that Steve and Sam’s corrupt jurisdiction must come to an end. Exposing their cheating ways, he removes them from office and installs Harry as the rightful mayor of Jimtown. Harry’s upstanding character is rewarded and he also gets to keep the undying devotion of his beautiful fiancee, Jessie Williams.

Shuffle Along was the first musical on Broadway in ten years to be entirely produced, written, and performed by an all African-American cast, and to feature a sophisticated love story rather than a frivolous, comedic plot. Although some of the characters may come across as questionable stereotypes by today’s standards, the success of the musical in 1921 marked a major break-through for African-American musical theatre performers.

Show Information

Music
Eubie Blake
Lyrics
Noble Sissle
Category
Musical
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
2
First Produced
1921
Genres
Comedy, Romance
Settings
Period, Multiple Settings
Time & Place
Jimtown, USA, 1921
Cast Size
large
Orchestra Size
Medium
Dancing
Heavy
Licensor
None/royalty-free
Ideal For
College/University, Diverse Cast, Community Theatre, Large Cast, Mostly Male Cast, Includes Young Adult, Adult, Mature Adult, Elderly, Late Teen Characters

Context

Plot

Characters

Name Part Size Gender Vocal Part

Steve Jenkins

Lead

Male

Tenor, Baritone

Sam Peck

Lead

Male

Tenor, Baritone

Harry Walton

Supporting

Male

Tenor, Baritone

Jim Williams

Supporting

Male

Tenor, Baritone, Bass-Baritone, Bass

Tom Sharper

Supporting

Male

Tenor, Baritone

Jack Penrose

Supporting

Male

Tenor, Baritone, Bass-Baritone, Bass

Onions

Supporting

Male

Tenor, Baritone, Bass-Baritone, Bass

Jessie Williams

Supporting

Female

Soprano, Mezzo-Soprano

Mrs. Sam Peck

Supporting

Female

Soprano, Mezzo-Soprano, Alto

Ruth Little

Supporting

Female

Soprano, Mezzo-Soprano

Rufus Loose

Featured

Male

Tenor, Baritone, Bass-Baritone, Bass

Uncle Ned

Featured

Male

Tenor, Baritone, Bass-Baritone, Bass

The Mayor's Doorman

Featured

Male

Tenor, Baritone, Bass-Baritone, Bass

Dance Ensemble

Ensemble

Female

Soprano, Mezzo-Soprano, Alto

Citizens of Jimtown

Ensemble

Either Gender

Soprano, Mezzo-Soprano, Alto, Tenor, Baritone, Bass, Bass-Baritone

Songs

Act One

  • “* Election Day” - Ensemble
  • "* I'm Simply Full of Jazz" - Ruth Little and Syncopation Steppers
  • "Love Will Find a Way" - Jessie Williams and Harry Walton
  • "Bandana Days" - Uncle Ned and Tom Sharper
  • "Uncle Tom and Old Black Joe" - Uncle Tom and Old Black Joe
  • "* (In) Honeysuckle Time (When Emmaline Said She'd Be Mine)" - Tom Sharper
  • "Gypsy Blues" - Jessie Williams, Ruth Little and Harry Walton
  • “Love Will Find a Way [reprise]” - Jim Williams, Ruth Little, Jessie Williams, Harry Walton, and Ensemble

Act Two

  • "* Shuffle Along" - Ensemble
  • "* I'm Just Wild About Harry" - Jessie Williams and Syncopation Sunflowers
  • "Sing Me to Sleep, Dear Mammy" - Harry Walton
  • "Everything Reminds Me of You" - Jessie Williams and Harry Walton
  • "Good Night Angeline / Ain’t It a Shame" - Four Harmony Kings (Ensemble)
  • "If You Haven't Been Vamped by a Brownskin, You Haven't Been Vamped at All" - Sam Peck
  • "* Oriental Blues" - Tom Sharper
  • "I Am Craving for That Kind of Love"/ "Daddy (Won't You Please Come Home)" - Ruth Little
  • “A Few Minutes with Sissy and Blake” +
  • "* Baltimore Buzz" - Tom Sharper and Jimtown's Jazz Steppers
  • "African Dip" - Ensemble

  • In the original production Eubie Blake left the pit at this point to join Noble Sissle onstage to lead selections from their standalone performance repertoire, especially songs from their military band days. The individual numbers and their order could change nightly, but “Gee, I’m Glad That I’m from Dixie” usually opened this set, and “On Patrol in No Man’s Land” usually closed it. Of the other songs here, “Pickaninny Shoes” and “The Low-Down Blues” were included most frequently.

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher