Overview
Synopsis
Man and Superman is a massive drama full of both light comedy and deep philosophy, based on Nietzsche's theory of the Abermensch, or superman. Acts I, II, and IV play as romantic comedy with a bite. Ann Whitefield relentlessly pursues dedicated bachelor Jack Tanner, not giving up until he agrees to marry her. No one really likes Ann, least of all Tanner; she is a selfish bully. But, she is imbued with the Life Force, making her charmingly irresistible. By contrast, the third act of the play is set in Hell, and the lead characters take on roles from Mozart's Don Giovanni. There, they engage in a long philosophical discussion about the eternal conflicts between men and women and Heaven and Hell. This third act provides a philosophical context within which to understand the other three acts, giving the comedy and romance of acts I, II, and IV a deeper meaning. In performance, however, Act III is almost always excised. Act III has also been performed separately, as a one-act entitled, Don Juan in Hell.
Show Information
Characters
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Character Portrayals
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Key Terms
A political figure rejecting authority, often appearing in revolutionary or protest-based theatre.
A non-literal theatrical scene representing a character's inner thoughts, fears, or desires, often surreal in style.
A system of thought exploring existence, ethics, or knowledge, often influencing theatrical movements like existentialism or realism.
Works not protected by copyright and available for free use or adaptation. Many classical plays, including Shakespeare's, fall into the public domain.
Satire is a dramatic style that uses humor, irony, and exaggeration to criticize human behavior, social institutions, or political systems. In theatre, it highlights flaws and hypocrisies through wit and parody, encouraging audiences to laugh while also reflecting on serious issues. Satire can range from lighthearted comedy to biting social commentary, making it both entertaining and thought-provoking.
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Guide Written By:
Alexandra Appleton
Writer, editor and theatre researcher