Overview

Synopsis

In early 1993, playwright Doug Wright visited Mahlsdorf, Germany, to interview Charlotte von Mahlsdorf, who curated a trove of items from various points in time throughout German history. His interviews (and his own fascination with) von Mahlsdorf eventually evolved into I Am My Own Wife, a “tour de force” one-man show in which a singular actor portrays 35 different characters, including of course von Mahlsdorf herself. Von Mahlsdorf and her story are in many ways tailor-made for the theatre: she is an eccentric outsider who survived both the Nazi and Communist regimes as a transgender woman. I Am My Own Wife is Wright’s magnum opus and won him both the Tony Award for Best Play and the Pulitzer Prize for Drama. The one-man play is a breathtaking journey through Charlotte’s life, primarily focusing on her experiences during the Communist regime of East Germany and the controversy that surrounded her following revelations that she was a spy for that very regime. But, like Charlotte herself, her story is complicated. The play is as much about a writer’s fascination with his subject as it is his subject itself. Through 35 different characters, Wright unravels Charlotte’s history with the richness of a historian and the theatrical potency of a seasoned playwright, while leaving the ambiguity of her story intact.

Show Information

Category
Play
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
2
First Produced
2003
Genres
Drama, Historical/Biographical
Settings
Contemporary, Multiple Settings, Unit/Single Set
Time & Place
A simple square room. Scenes take place in Germany and the United States at various points from the 1940s to the 1990s.
Cast Size
small
Orchestra Size
None
Dancing
None
Ideal For
Professional Theatre, Regional Theatre, Small Cast, Star Vehicle Male, All-Male Cast, Mostly Male Cast, Includes Adult, Late Teen, Young Adult Characters

Context

Plot

Characters

Name Part Size Gender Vocal Part

Charlotte

Lead

Female

Non-singer

Doug Wright

Lead

Male

Non-singer

John Marks

Supporting

Male

Non-singer

Various Friends/Relatives (4)

Featured

Either Gender

Non-singer

Reporters (8)

Featured

Either Gender

Non-singer

Military/Government Officials (8)

Featured

Male

Non-singer

Featured Citizens (6)

Featured

Either Gender

Non-singer

Songs

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A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    An object of historical value, used on stage to signify memory, status, or passage of time in realistic and symbolic plays.

    A Cold War symbol of division, often featured in theatre about separation, ideology, and resistance.

    A period of political tension between the US and USSR, dramatized in theatre to reflect fear, ideology, and espionage.

    A genre that dramatizes real-life events using interviews, transcripts, and factual materials.

    A character type marked by odd or unusual behavior, often used for comedic or dramatic effect.

    A form of documentary theatre that uses exact words from interviews and transcripts to portray real-life events on stage.

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Themes, Symbols & Motifs

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Guide Written By:

Kevan Dunkelberg

Kevan Dunkelberg

Oklahoma-based drama teacher, actor and playwright