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Hello, Dolly!

Musical

Overview

Synopsis

Jerry Herman’s energetic Hello, Dolly! is a musical filled with charisma and with heart. Matchmaker Dolly Levi is a widow, a matchmaker, and also a professional meddler --but everything changes when she decides that the next match she needs to make is to find someone for herself. Set in New York City at the turn of the century, Hello Dolly! is boisterous and charming from start to finish. Hello, Dolly! features such memorable songs as “Before the Parade Passes By,” “It Only Takes a Moment,” “Put on Your Sunday Clothes,” and - of course - the title number, “Hello, Dolly!” Dolly herself is one of the strongest and richest starring roles for a woman ever written for the musical theatre, and famous Dolly Levis have included Carol Channing, Ethel Merman, Pearl Bailey, Mary Martin, Barbra Streisand, and most recently, Bette Midler and Bernadette Peters.

Show Information

Music
Lyrics
Based on
The Matchmaker by Thornton Wilder
Category
Musical
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
2
First Produced
1964
Genres
Comedy
Settings
Multiple Settings
Time & Place
Yonkers and New York City at the end of the 19th century
Cast Size
medium
Orchestra Size
Large
Dancing
Some Dance
Ideal For
College/University, Community Theatre, High School, Professional Theatre, Religious Groups, Mostly Male Cast, Includes Adult, Mature Adult, Late Teen, Young Adult, Elderly Characters, Medium Cast

Context

Plot

Characters

Showing 8 of 14 characters

Character Portrayals

See StageAgent members who have performed roles in Hello, Dolly!.

Showing 8 of 61 portrayals

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Songs

Showing 8 of 19 songs

A song with an asterisk (*) before the title indicates a dance number.

Themes, Symbols & Motifs

Director Insights

Discussion Questions

Big Question

How far are we willing to go—and how much are we willing to risk—to take control of our own happiness?

Discussion Questions

  1. In "Before the Parade Passes By," Dolly decides to step back into the world after living in isolation following Ephraim's death. What pushes her to make this choice, and what does the parade represent in her life?
  2. Horace Vandergelder views money as a tool for efficiency, while Dolly views it as something meant to be spread around "like manure" to make things grow. How do their contrasting philosophies shape how they treat the people around them?
  3. Cornelius and Barnaby risk their jobs at the hay and feed store just to go to New York City and kiss a girl. Why are they so desperate for adventure, and what does their journey show about the balance between security and taking risks?
  4. Irene Molloy runs her own hat shop, yet she feels trapped by the societal expectations placed on single women in 1890s Yonkers and New York. How does her song "Ribbons Down My Back" reveal her internal conflict between independence and the desire for romance?
  5. Matchmakers in the world of Hello, Dolly! manipulate situations to bring people together. Where is the line between helping people find love and deceitfully meddling in their lives? Do Dolly’s schemes cross that line?
  6. How does the fast-paced, high-stakes chaos at the Harmonia Gardens restaurant push the central characters to reveal their true feelings and desires?
  7. Horace insists he wants a wife who is obedient and practical, yet he finds himself drawn into Dolly’s chaotic orbit. What does his ultimate change of heart reveal about what he actually needs versus what he thinks he wants?
  8. Many characters in the show put on acts or pretend to be wealthier and more sophisticated than they actually are. Why is pretending so common in the musical, and what does it take for the characters to finally show their authentic selves?
  9. Although the musical is set in the 1890s and premiered in the 1960s, its themes of love, financial independence, and starting over remain popular today. What makes Dolly Levi’s character feel timeless to modern audiences?
  10. While the story is primarily a romantic comedy, it heavily features working-class characters like clerk trainees, hat shop assistants, and waiters. How does the show portray the tension between class status and personal joy?
  11. Throughout the show, Dolly carries on silent conversations with her late husband, asking for a sign to move on. How does her relationship with Ephraim's memory influence her decisions, and what does it say about the process of moving forward after a loss?
  12. Dolly re-enters life after feeling like she has been stuck on the sidelines for years. Have you ever had a moment where you felt like life was passing you by, and what did you do—or what could you do—to jump back into the parade?

Key Terms

    An 11 o’clock number is a show-stopping song that appears late in a musical, usually near the climax. It is often performed by the lead character and delivers a surge of emotional or dramatic power. The number reenergizes the audience and sets up the finale.

    An adaptation is a reworking of a story from one medium or cultural context into another, such as turning a novel into a play or updating a classic play’s setting. Adaptations often reinterpret themes, characters, and style for new audiences. They can range from faithful recreations to bold reimaginings.

    A late 19th-century era marked by wealth and social inequality, often depicted in theatre for its decadence and class tension.

    The “Golden Age Musical” refers to Broadway shows written roughly between the 1940s and 1960s, a period known for integrating songs, story, and character development. These musicals often balanced romance, comedy, and social themes with memorable melodies and large ensembles. Classics from this era continue to shape the foundation of modern musical theatre.

    An “I Want Song” is a number, usually placed early in a musical, where a main character expresses their deepest desire or ambition. This song sets the character’s journey in motion and gives the audience a clear emotional stake in the story. It has become one of the most recognizable and enduring conventions of musical theatre structure.

    A matchmaker is a person who arranges marriages between individuals, often serving as a professional social intermediary.

    Millinery refers to the design, manufacture, and sale of women’s hats, which was a thriving independent trade for women in the nineteenth century. Hat shops served as key fashion destinations and rare spaces where female entrepreneurs could establish commercial independence.

    The polka is a lively Central European dance in fast duple time that became immensely popular across European and American ballrooms during the nineteenth century. It is characterized by energetic hops, steps, and turns performed by paired dancers.

    A production created to showcase the talents of a specific star performer, often tailored to their strengths.

    The right to vote, often explored in political or feminist plays to examine historical struggle and empowerment.

    A tone of ironic or playful humor used in plays to mock conventions or critique societal norms with subtle sarcasm.

    A variety entertainment form popular in the U.S. from the late 19th century to the early 20th, featuring diverse short acts.

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Guide Written By:

Emma Houlahan

Emma Houlahan

Canadian vocalist and actor now based in London.