Overview
Synopsis
Ella Peterson is a bright, warm, and imaginative woman, who spends her days in the dingy New York City basement apartment which is the office for Susanswerphone, her cousin Sue’s telephone answering service company. Fortunately for Ella, her switchboard existence is made bearable by the connection she makes with her customers and the different identities she brings to each of them: a snooty Parisienne to answer calls for a French restaurant; a jolly Santa Claus to convince Mrs. Mallet’s son Jimmy to eat his spinach; and a warm and sympathetic motherly type to comfort playwright Jeffrey Moss, a charming and self-destructive alcoholic with whom Ella has fallen in love, sight unseen. This horrifies prim and proper Sue, who implores Ella simply to “give and receive messages” -- especially after crude, suspicious Inspector Barnes of the Vice Squad shows up, with his timid assistant, Francis, to accuse Susanswerphone of being the front for a house of ill repute. Sue, unwittingly, causes just as much trouble for her own business when she falls for J. Sandor Prantz, a vaguely Viennese con man, who moves his record company “Titanic Records” -- in reality, a front for a gambling ring -- into her office. Meanwhile, desperate to save the career of her beloved Jeffrey, Ella skips out on her “house arrest,” evades the inspectors, and tracks Jeffrey to his apartment, where, after a relieved gloat at his handsome appearance, she proceeds to wake him out of his drunken stupor, create a new identity for herself as glamorous mystery woman “Melisande Scott,” and motivate him to write his overdue play, “The Midas Touch.” Like a fairy godmother, Ella proceeds to wander around the city, helping her various clients to realize their creative dreams: dentist Dr Kitchell, a frustrated songwriter, wins a competition for songs about “The Midas Touch”; and Brando wannabe, actor Blake Barton, gets a role in the play after Ella shows up at his drugstore hangout and encourages him to wear a suit. Best of all, Jeffrey Moss falls in love with her -- but after a glamorous party, at which she tries unsuccessfully to fit in, Ella knows that her lies will catch up with her eventually, and that she will have to face the music of her own reality. Trailed by detectives, beset by mobsters, and surrounded by a boisterous crowd of New Yorkers, Ella manages to save the day for Susanswerphone, and for her own heart, as well. With book and lyrics by Betty Comden and Adolph Green, and music by Jule Styne, Bells Are Ringing is a joyful, mischievous romp through 1950s New York City, a Cinderella story, and a tale about community and connection. It features famous standards “Just in Time” and “The Party’s Over” as well as the playful pining of “It’s a Perfect Relationship,” the show-stopping “I’m Going Back,” and the spicy dance number “Mu-Cha-Cha.”
Show Information
- Book
- Betty Comden , Adolph Green
- Music
- Jule Styne
- Lyrics
- Betty Comden , Adolph Green
- Category
- Musical
- Age Guidance
- Youth (Y)/General Audiences (G)
- Number of Acts
- 2
- First Produced
- 1956
- Genres
- Comedy, Romance
- Settings
- Period, Multiple Settings
- Time & Place
- 1950s, new york city
- Cast Size
- large
- Orchestra Size
- Large
- Dancing
- Heavy
- Licensor
- Concord Theatricals
- Ideal For
- College/University, Community Theatre, Professional Theatre, Regional Theatre, Star Vehicle Female, Mostly Male Cast, Includes Young Adult, Adult, Mature Adult, Late Teen Characters, Large Cast
Context
Plot
Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
|
Lead |
Male |
Baritone |
|
|
Lead |
Female |
Alto |
|
|
Supporting |
Male |
Tenor |
|
|
Supporting |
Female |
Spoken |
|
|
Supporting |
Male |
Tenor |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Female |
Mezzo-Soprano |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Female |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Female |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Female |
Spoken |
|
|
Featured |
Male |
Tenor |
|
|
Featured |
Female |
Soprano |
|
|
Featured |
Female |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Ensemble |
Either Gender |
Soprano, Alto, Tenor, Baritone |
Songs
Act I
- "Bells Are Ringing" – Ensemble
- "It's a Perfect Relationship" – Ella Peterson
- "Independent" (original title: "On My Own") – Jeff Moss, Ensemble
- "You've Got to Do It" – Jeff Moss
- "It's a Simple Little System" – Sandor and Ensemble
- "Is It a Crime?" – Ella Peterson
- "Better Than a Dream" – Ella Peterson, Jeff Moss (later addition to original production)
- "Hello, Hello There" – Ensemble
- "I Met a Girl" – Jeff Moss and Ensemble
- "Long Before I Knew You" – Jeff Moss, Ella Peterson
Act II
- "Mu-Cha-Cha" – Carl, Ella Peterson
- "Just in Time" – Jeff Moss, Ella Peterson, Ensemble
- "Drop That Name" – Ella Peterson, Ensemble
- "The Party's Over" – Ella Peterson
- "Salzburg" – Sue and Sandor
- "The Midas Touch" – Nightclub Singer, Ensemble
- "Long Before I Knew You" (Reprise) – Ella Peterson
- "I'm Going Back" – Ella Peterson
- "Finale" - Company
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
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Videos
Quizzes
Themes, Symbols & Motifs
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Quote Analysis
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