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Chaplin: The Musical

Musical

Overview

Synopsis

Thomas Meehan and Christopher Curtis’ musical tracks the life and changing fortunes of the famous silent movie star, Charlie Chaplin. In 1913, Chaplin arrived in Hollywood aged just 24 years old. He experienced a meteoric rise from an unknown, small-time London music hall performer to becoming one of the richest, most famous man in the movie business. His iconic role as The Little Tramp propelled him to stardom but fame and notoriety posed its own challenges for Chaplin. With three failed marriages, a paternity suit, and a ruthless journalist determined to expose him as a communist, Chaplin’s fall from grace was meteoric and he spent the remainder of his life exiled in Switzerland. Charlie Chaplin: The Musical moves backward and forward throughout time, exploring how Chaplin’s childhood and inner insecurities shaped Hollywood’s greatest star….and also created his biggest problems. Finally, he is able to escape his past with the help of one woman--Oona O’Neill. Her unconditional love and support allow Chaplin to truly be himself and let go of The Little Tramp.

Show Information

Category
Musical
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
2
First Produced
2010
Genres
Drama, Comedy, Farce
Settings
Period, Multiple Settings
Time & Place
London, America, 1900-1972
Cast Size
medium
Orchestra Size
Medium
Dancing
Some Dance
Ideal For
Ensemble Cast, Professional Theatre, Regional Theatre, Star Vehicle Male, Mostly Male Cast, Includes Adult, Young Adult, Mature Adult, Child, Early Teen Characters, Medium Cast

Characters

Showing 8 of 9 characters

Character Portrayals

See StageAgent members who have performed roles in Chaplin: The Musical.

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Songs

Act One

*Overture/Prologue - Hannah; Oona; Sydney; Alf; Hedda; Max; Young Chaplin; Ensemble

Look at All the People - Hannah; Young Chaplin

Whatcha Gonna Do? - Charlie; Hannah; Jackie Coogan

If I Left London - Charlie; Sydney

Sennett Song - Charlie; Max

Look at All the People (Reprise)/Tramp Discovery - Charlie; Hannah; Ensemble

Tramp Shuffle - Part 1 - Charlie; Max; Usher

Tramp Shuffle - Part 2 - Charlie; Max; Usher

Life Can Be Like the Movies - Charlie; Sydney; Usher

The Look-A-Like Contest - Charlie; Hannah; Sydney; Alf

Act Two

*Just Another Day in Hollywood - Charlie; Alf; Hedda

The Life That You Wished For - Charlie

*All Falls Down - Hedda

Man of All Countries - Hedda; Max

What Only Love Can See - Charlie; Oona

The Exile - Hedda

Where Are All the People? - Charlie

What Only Love Can See (Reprise) - Charlie; Oona

This Man - Hannah; Oona; Sydney; Alf; Hedda; Max

Finale/Tramp Reprise - Hannah; Oona; Sydney; Alf; Hedda; Max; Ensembler

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Key Terms

    A genre of drama based on real people’s lives, exploring their challenges, accomplishments, and inner conflicts.

    A political ideology often depicted or explored in 20th-century epic or protest theatre for social critique.

    A British theatrical genre featuring variety entertainment including songs, comedy, and specialty acts. Popular in the 19th and early 20th centuries, it influenced modern musical theatre.

    The Silent Film Era refers to the period in cinema history from the late nineteenth century until the late 1920s when motion pictures had no synchronized recorded sound. Filmmakers relied heavily on visual storytelling, expressive acting, body language, and title cards to convey plot and emotion to the audience.

    Slapstick is a type of physical comedy that relies on exaggerated actions, pratfalls, and humorous accidents to provoke laughter. It often includes broad movements, funny sound effects, and comic violence, such as someone slipping on a banana peel or being hit with a harmless object. The style originated in commedia dell’arte and became popular in vaudeville, silent film, and stage comedy.

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher