
Overview
Synopsis
Would you do ANYTHING to help your favorite baseball team win the pennant? In the Faustian baseball musical, Damn Yankees, Joe Boyd sells his soul to the devil to be the home run hitter that will guide his favorite team, the Washington Senators, to a win against those “damn Yankees.” Featuring the classical musical theatre selections, “Heart” and “Whatever Lola Wants”, follow Joe in his quest to save his team…and his soul.
Show Information
- Book
- Douglass Wallop , George Abbott
- Music
- Jerry Ross , Richard Adler
- Lyrics
- Jerry Ross , Richard Adler
- Category
- Musical
- Age Guidance
- Youth (Y)/General Audiences (G)
- Number of Acts
- 2
- First Produced
- 1955
- Genres
- Comedy
- Settings
- Period, Multiple Settings
- Time & Place
- 1950s
- Cast Size
- medium
- Orchestra Size
- Large
- Dancing
- Heavy
- Licensor
- Music Theatre International
- Ideal For
- College/University, Community Theatre, Diverse Cast, High School, Large Cast, Mostly Male Cast, Professional Theatre, Regional Theatre, Star Vehicle Female, Star Vehicle Male, Includes Adult, Mature Adult, Young Adult, Late Teen Characters, Medium Cast
Context
Damn Yankees opened on Broadway on May 5, 1955 and played for a total of 1,019 performances. Directed by George Abbott and choreographed by Bob Fosse, the show featured Gwen Verdon, who won a Tony for her portrayal of Lola in 1956, and Ray Walston as Applegate, best known for his television work in My Favorite Martian and as the teacher Mr. Hand in the film, Fast Times at Ridgemont High.
The musical, based on Douglass Wallop's novel, The Year the Yankees Lost the Pennant, tells the
to read the context for Damn Yankees and to unlock other amazing theatre resources!Plot
ACT ONE
Meg and Joe Boyd are sitting in front of their television set. Meg attempts to have a conversation with her husband, Joe, but he is too engrossed with the Washington Senators baseball game he is watching, (“Six Months Out of Every Year”). The game ends with the Senators losing to the Yankees, as Joe daydreams of being the baseball hero that would sell his soul to the devil to be a “long ball hitter.”
Mysteriously, he finds a stranger on his porch, Applegate, who engages him in
to read the plot for Damn Yankees and to unlock other amazing theatre resources!Characters
Name | Part Size | Gender | Vocal Part |
---|---|---|---|
Lead |
Male |
Baritone |
|
Lead |
Male |
Baritone |
|
Supporting |
Female |
Mezzo-Soprano |
|
Supporting |
Female |
Mezzo-Soprano |
|
Supporting |
Male |
Tenor |
|
Featured |
Male |
Baritone |
|
Featured |
Male |
Spoken |
|
Featured |
Female |
Alto |
|
Ensemble |
Female |
Spoken |
|
Ensemble |
Female |
Mezzo-Soprano |
|
Ensemble |
Male |
Tenor |
|
Ensemble |
Male |
Tenor |
|
Ensemble |
Male |
Tenor |
|
Ensemble |
Either Gender |
Soprano, Mezzo-Soprano, Alto, Tenor, Baritone, Bass |
Songs
Act One
- “Six Months Out Of Every Year” - Meg Boyd, Joe Boyd, Sister, Gloria Thorpe, Husbands and Wives
- “Goodbye Old Girl” - Joe Boyd and Joe Hardy
- *“Blooper Ballet” - The Senators
- “Heart” - Van Buren, Smokey, Rocky, Linville
- *“Shoeless Joe from Hannibal, Mo.” - Gloria Thorpe, Senators
- “Shoeless Joe (Reprise)” - Gloria Thorpe, Joe Hardy and Ensemble (1994 revival only, used elements of the song in the style of retro-1950s commercials)
- “A Little Brains, a Little Talent” - Lola
- “A Man Doesn't Know” - Joe Hardy & Meg Boyd
- “Whatever Lola Wants, Lola Gets” - Lola
- “Who's Got the Pain?” - Lola & Senators
Act Two
- “The Game” - Rocky, Smokey & Senators
- “Near to You” - Joe Hardy and Meg Boyd (1994 revival added Joe Boyd)
- “Those Were the Good Old Days” - Applegate
- “Two Lost Souls” - Lola and Joe Hardy (1994 revival is a duet with Applegate)
- “A Man Doesn't Know (Reprise)” - Meg Boyd and Joe Boyd
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
References an era of book musicals written roughly between the 1940s and the 1960s.
A Broadway musical written and produced between 1943 and 1965.
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