Overview
Synopsis
The Threepenny Opera is a biting satire of the post-war rise of capitalism, wrapped up in Weill's jazzy score, and the tale of Macheath (Mack the Knife), a debonair crime lord on the verge of turning his illegal empire into a legitimate business.
When Macheath marries young Polly Peachum, her father is enraged. Jonathan Peachum controls the beggars of London, and he strives to get Macheath hanged. Unfortunately for him, the chief of police is an old friend of Macheath’s.
Nevertheless, Peachum exerts considerable political influence, and eventually Macheath is arrested and imprisoned. He escapes, only to become imprisoned once more. Luckily, a hard-riding messenger from the Queen arrives at the last minute to pardon Macheath and to issue him a baronetcy.
Although Elisabeth Hauptmann (Brecht’s lover at the time) provided most of the book and in fact conceived the project, Bertolt Brecht did his best to conceal this and is usually given full credit for the script and lyrics of Threepenny. Songs from Threepenny have become classic standards, including “Pirate Jenny” and most notably, “Mack the Knife,” which has been covered by everyone from Frank Sinatra to Michael Buble.
Show Information
- Music
- Kurt Weill
- Lyrics
- Bertolt Brecht
- Conceived By
- Elisabeth Hauptmann
- Based on the Play/Book/Film
- The Beggar's Opera, by John Gay
- Category
- Musical
- Age Guidance
- Thirteen Plus (PG-13)
- Number of Acts
- 3
- First Produced
- 1928
- Genres
- Comedy, Dark Comedy
- Settings
- Period, Simple/No Set
- Time & Place
- victorian london
- Cast Size
- large
- Orchestra Size
- Medium
- Dancing
- Musical Staging
- Licensor
- Concord Theatricals
- Ideal For
- College/University, Diverse Cast, Ensemble Cast, Large Cast, Mature Audiences, Professional Theatre, Regional Theatre, Mostly Male Cast, Includes Early Teen, Late Teen, Young Adult, Adult, Mature Adult, Elderly, Child Characters
Context
Plot
Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
|
Lead |
Male |
Baritone |
|
|
Lead |
Female |
Soprano |
|
|
Supporting |
Male |
Bass |
|
|
Supporting |
Female |
Alto |
|
|
Supporting |
Male |
Baritone |
|
|
Supporting |
Female |
Mezzo-Soprano |
|
|
Featured |
Male |
Tenor |
|
|
Featured |
Female |
Mezzo-Soprano |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Baritone |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Ensemble |
Either Gender |
Soprano, Mezzo-Soprano, Alto, Tenor, Baritone |
Songs
Prelude
- Overture
- The Ballad of Mack the Knife – The Street Singer
Act 1
- -Peachum's Morning Choral – Peachum, Mrs Peachum
- Instead of Song – Peachum, Mrs Peachum
- Wedding Song – Four Gangsters
- Pirate Jenny – Polly
- Cannon Song (“Army Song”) – Macheath, Brown
- Love Song – Polly, Macheath
- Barbara Song – Polly
- First Threepenny Finale – Polly, Peachum, Mrs Peachum
Act 2
- Melodrama – Macheath
- Polly's Song – Polly
- Ballad of Sexual Dependency – Mrs Peachum
- Ballad of the Pimp– Jenny, Macheath
- Ballad of the Pleasant Life – Macheath
- Jealousy Duet – Lucy, Polly
- Aria of Lucy – Lucy
- Second Threepenny Finale – Macheath, Mrs Peachum, Chorus
Act 3
- Song of the Insufficiency of Human Struggling (“Life’s a Bitch”) – Peachum
- Reminiscence
- Solomon Song – Jenny
- Call from the Grave – Macheath
- Grave Inscription – Macheath
- Walk to Gallows – Peachum
- Third Threepenny Finale – Brown, Mrs Peachum, Peachum, Macheath, Polly, Chorus
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
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Videos
Quizzes
Themes, Symbols & Motifs
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