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Overview

Synopsis

Welcome to the 1920s and prohibition-era New York!

Written by Woody Allen and based on his 1994 film of the same name, Bullets Over Broadway tells the story of David Shane, an aspiring young playwright who is determined to find a backer to produce his show on Broadway. He soon meets Nick Valenti, a man with the cash David needs. However, there is one catch. Valenti is one of New York’s most influential mobsters and he is determined that David's new play will be a vehicle for his ditzy and talentless girlfriend, Olive. Against a mural of dancing chorus girls, Valenti appoints Cheech as Olive’s bodyguard while she rehearses for the show. However, things take a turn when Cheech discovers a talent for script-writing, Olive catches the eye of male lead, Warner Purcell, and David finds himself falling for his leading lady.

Featuring a string of popular 1920s tunes, including "Let's Misbehave," "'T'ain't Nobody's Biz-ness If I Do" and "There's a New Day Comin'!", Bullets Over Broadway is a jazzy romp of a show!

Show Information

Category
Musical
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
2
First Produced
2014
Genres
Comedy
Settings
Multiple Settings, Period
Time & Place
new york city, 1920s
Cast Size
medium
Orchestra Size
Large
Dancing
Heavy
Ideal For
College/University, Professional Theatre, Regional Theatre, Star Vehicle Female, Star Vehicle Male, High School, Mostly Male Cast, Includes Adult, Mature Adult, Young Adult Characters, Medium Cast

Context


Plot


Characters

Name Part Size Gender Vocal Part

David Shayne

Lead

Male

Baritone, Tenor

Helen Sinclair

Lead

Female

Soprano

Cheech

Supporting

Male

Baritone

Olive Neal

Supporting

Female

Alto

Ellen

Supporting

Female

Soprano

Julian Marx

Supporting

Male

Baritone

Nick Valenti

Supporting

Male

Baritone

Eden Brent

Featured

Female

Alto, Mezzo-Soprano

Warner Purcell

Featured

Male

Tenor

Ensemble

Ensemble

Either Gender

Soprano, Mezzo-Soprano, Alto, Tenor, Baritone, Bass

Songs

Act One

  • “Tiger Rag” - The Atta-Girls, Olive, Nick, Cheech and Gangsters
  • “Gee, Baby, Ain't I Good to You” - Nick and Olive
  • “Blues My Naughty Sweetie Gives to Me” - Ellen and David
  • “Tain't a Fit Night Out for Man or Beast” - Valenti Gang, Kustabeck Gang and Flappers
  • “The Hot Dog Song” - Olive
  • ‘Gee Baby, Ain't I Good to You (Reprise)” - Nick
  • “They Go Wild, Simply Wild, Over Me” - Helen and Julian
  • “Up a Lazy River” - Cheech
  • “I'm Sitting on Top of the World” - David
  • “Let's Misbehave” - Warner and Olive
  • “There's a Broken Heart for Every Light on Broadway” - Helen and David
  • “(I'll Be Glad When You're Dead) You Rascal You” - The Atta-Girls
  • “Tain't Nobody's Biz-ness If I Do” - Cheech and Gangsters
  • “Runnin' Wild” - Full Company

Act Two

  • “There's a New Day Comin'!” - Eden and Company
  • “There'll Be Some Changes Made” - Cheech, Warner and Gangsters
  • “I Ain't Gonna Play No Second Fiddle” - Helen and David
  • “Good Old New York” - The Red Caps
  • “Up a Lazy River (Reprise)” - Cheech
  • “I've Found a New Baby”- Ellen and David
  • “The Panic Is On” - David
  • “Tain't Nobody's Biz-ness If I Do (Reprise)” - Cheech
  • “Runnin' Wild (Reprise)” - Company
  • “Up a Lazy River (Reprise)” - Cheech
  • “She's Funny That Way” - David and Ellen
  • “Finale (Yes, We Have no Bananas)” - Full Company

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

All monologues are the property and copyright of their owners.. Monologues are presented on StageAgent for educational purposes only. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor.

Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    A play, musical, or opera that has been adapted from a written work.

    A genre of music developed especially from ragtime and blues and characterized by syncopated rhythms, complex chords, elements of improvisation, and distortions of pitch and timbre.

    A musical that features hit songs of a popular music group or genre.

    The action of forbidding something, especially by law. Specifically, the prevention by law of the manufacture and sale of alcohol in the US between 1920 and 1933.

    A production designed especially to show off the talents of a particular performer.

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher