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Return to the Forbidden Planet

Musical

Overview

Synopsis

Fasten your seatbelts, return your tray tables to the upright position and prepare to blast off! In this Olivier-award-winning musical, the many works of Shakespeare are aligned with a fabulous rock ‘n’ roll score to create a fun-filled, jiving-in-the-aisles musical. Loosely based on Shakespeare’s The Tempest and the 1956 sci-fi classic film Forbidden Planet, Return to the Forbidden Planet finds a spaceship, helmed by Captain Tempest, making an emergency landing on the uncharted planet D’Illyria. The only residents there are the mad scientist Doctor Prospero, his daughter Miranda, and their robot Ariel. They were banished into hyperspace when Miranda was just a baby, and she has known no other world than this. Featuring rock ‘n’roll hits of the 50s and 60s (“Great Balls of Fire”, “The Monster Mash”, “Good Vibrations”, and others), a B-movie atmosphere, and dialogue in iambic pentameter, Return to the Forbidden Planet is Shakespeare’s unwritten rock ‘n’ roll masterpiece. Throw in a roller-skating robot, unrequited love, and a scary space monster, and you’ve got one groovy show!

Show Information

Based on
The Tempest [play], Forbidden Planet [1956 film]
Category
Musical
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
2
First Produced
1989
Genres
Comedy, Fairy Tale/Fantasy
Settings
Fantasy/Imaginary, Unit/Single Set
Time & Place
space, the future
Cast Size
medium
Orchestra Size
Rock Combo
Dancing
Musical Staging
Ideal For
College/University, Community Theatre, High School, Regional Theatre, Mostly Male Cast, Includes Adult, Mature Adult, Late Teen, Young Adult Characters, Medium Cast

Characters

Showing 8 of 9 characters

Character Portrayals

See StageAgent members who have performed roles in Return to the Forbidden Planet.

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Songs

Act One

*Wipe Out - Navigation Officer

It’s a Man’s Man’s Man’s World - Captain Tempest, Gloria,

*Great Balls of Fire - Ensemble

Don’t Let Me Be Misunderstood - Prospero, Ensemble

*Good Vibrations - Captain Tempest, Ariel, Miranda, Ensemble

*Yeh, Yeh - Cookie, Bosun

Ain’t Gonna Wash for a Week - Cookie, Ensemble

I’m Gonna Change the World - Captain Tempest, Ariel, Prospero

Teenager in Love - Miranda, Ensemble

Young Girl - Captain Tempest, Ensemble

*She’s Not There - Cookie

*Shaking All Over - Prospero, Miranda, Captain Tempest

Gloria - Gloria, Navigation Officer, Ensemble

Act Two

*5-4-3-2-1- / Gloria - Gloria, Navigation Officer, Ensemble

Who’s Sorry Now - Ariel, Ensemble

Tell Her / Gimme Some Lovin’ - Gloria, Bosun, Cookie, Navigation Officer, Captain Tempest, Ensemble

War Paint - Captain Tempest, Ariel

*Robot Man - Miranda, Ensemble

*Shake, Rattle and Roll - Ariel, Cookie, Ensemble

Go Now - Gloria, Ensemble

Only the Lonely - Cookie, Ensemble

*The Young Ones - Miranda, Captain Tempest, Ensemble

Born to Be Wild - Captain Tempest, Cookie

*Mr. Spaceman - Miranda, Ensemble

*I Can’t Turn You Loose / Monster Mash - Prospero, Ensemble

*Great Balls of Fire - Cookie

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Key Terms

    An adaptation is a reworking of a story from one medium or cultural context into another, such as turning a novel into a play or updating a classic play’s setting. Adaptations often reinterpret themes, characters, and style for new audiences. They can range from faithful recreations to bold reimaginings.

    Spoken interaction between characters in a play, used to reveal relationships, advance plot, and convey emotion.

    A poetic meter consisting of five iambs per line, widely used in English Renaissance drama by playwrights like Shakespeare.

    A jukebox musical is a type of musical where the score is made up of pre-existing, well-known popular songs instead of original music.

    Rock and roll is a musical genre that originated in the United States in the 1950s, combining rhythm and blues with country and gospel influences. Characterized by strong beats, electric guitars, and youthful energy, it quickly became a symbol of rebellion and change. In theatre, rock and roll often represents social upheaval, generational conflict, and the rise of new cultural voices.

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher