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Overview

Synopsis

Set against the context of the English Civil War, Bellini’s I puritani is a story of romance and heartache between two members of opposing factions. As the daughter of Lord Valton, Elvira is a puritan. She has fallen in love with Sir Arturo Talbo, a Royalist and supporter of the Stuarts, and will not be happy unless she can marry him. Her father has tried to arrange a marriage between her and Sir Riccardo Forth, a loyal puritan colonel, but Elvira would rather die than give herself to him. Eventually, with some persuasion from his brother, Sir Giorgio, Lord Valton relents; he only wants his daughter to be happy. Elvira and Arturo immediately make preparations for their wedding.

Meanwhile, an important prisoner at the castle has been requested to stand before parliament. Arturo recognises the prisoner as Enrichetta di Franca, the widow of King Charles I, and he wants to help her escape. He uses Elvira’s wedding veil to disguise Enrichetta and the two of them flee the castle. Devastated that Arturo has left her, Elvira is inconsolable, and begins to drift away from reality.

Three months without her beloved Arturo take their toll on Elvira’s sanity. She sees him so often in her dreams, both night and day, that she struggles to trust her eyes when he finally returns. Her delay proves treacherous to Arturo, and he is found by the guards. They are about to take him away to be executed when a message arrives: the war is over, and a blanket pardon has been given to all Royalists. Everyone rejoices as Elvira and Arturo can finally be together.

Show Information

Libretto
Carlo Pepoli
Based on the Play/Book/Film
Têtes Rondes et Cavalieres by Jacques-François Ancelot and Joseph Xavier Saintine
Category
Opera
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
3
First Produced
1835
Genres
Romance, Drama, Historical/Biographical
Settings
Period, Multiple Settings
Time & Place
Plymouth, England, English Civil War
Cast Size
medium
Orchestra Size
Medium
Dancing
None
Licensor
None/royalty-free
Ideal For
Professional Opera, Mostly Male Cast, Includes Mature Adult, Adult, Elderly, Young Adult Characters, Medium Cast

Context

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Plot

Characters

Name Part Size Gender Vocal Part

Sir Giorgio

Lead

Male

Bass, Bass-Baritone

Lord Arturo Talbo

Lead

Male

Tenor

Sir Riccardo Forth

Lead

Male

Baritone

Elvira

Lead

Female

Soprano

Lord Gualtiero Valton

Supporting

Male

Bass

Sir Bruno Roberton

Supporting

Male

Tenor

Queen Enrichetta Di Franca

Supporting

Male

Soprano

Chorus

Ensemble

Either Gender

Soprano, Mezzo-Soprano, Tenor, Baritone, Bass, Contralto

Songs

Act One

Scene 1
- Introduction ‘All’erta! All’erta!’ - Bruno, Chorus
- Scene ‘O di Cromvel guerrieri’ - Bruno, Elvira, Arturo, Riccardo, Giorgio, Chorus

Scene 2
- ‘A festa, a festa’ - Chorus

Scene 3
- Recitative ‘Or dove fuggo io mai?’ - Riccardo, Bruno
- Aria ‘Ah, per sempre io ti perdei’ - Riccardo

Scene 4
- Scene ‘O amato zio’ - Elvira, Giorgio
- Duet ‘Sai com’arde in petto mio’ - Elvira, Giorgio, Chorus

Scene 5
- Chorus ‘Ad Arturo onore’ - Chorus
- Quartet ‘A te, o cara, amor talora’ - Elvira, Arturo, Giorgio, Valton, Chorus

Scene 6
- Finale I ‘il rito augusto’ - Valton, Enrichetta, Arturo,

Scene 7
- (Finale I cont.) ‘Pietà e dolore’ - Enrichetta, Arturo

Scene 8
- (Finale I cont.) ‘Son vergin vezzosa’ - Elvira, Enrichetta, Arturo, Giorgio, Chorus

Scene 9
- (Finale I cont.) ‘Sulla virginea testa’ - Enrichetta, Arturo

Scene 10
- (Finale I cont.) ‘Ferma, invan rapir pretendi’ - Riccardo, Arturo, Enrichetta, Arturo, Elvira, Bruno, Valton, Giorgio, Chorus

Scene 11
- (Finale I cont.) ‘E già al ponto’ - Riccardo, Elvira, Giorgio, Valton, Bruno, Chorus
- (Finale I cont.) ‘Oh vieni al tempio’ - Elvira, Riccardo, Giorgio, Bruno, Chorus

Act Two

Scene 1
- Introduction ‘Ah dolor!’ - Chorus

Scene 2
- ‘Qual novella?’ - Giorgio, Chorus
- Romance ‘Cinta di fiori’ - Giorgio, Chorus
- Scene ‘E di morte lo stral’ - Riccardo, Giorgio, Chorus

Scene 3
- Scene ‘O rendetemi la speme’ - Elvira, Giorgio, Riccardo
- Cavatina ‘Qui la voce sua soave’ - Elvira, Giorgio, Riccardo
- Cabaletta ‘Vien, diletto’ - Elvira, Giorgio, Riccardo

Scene 4
- Duet and Finale II ‘Il rival salvar tu dei’ - Riccardo, Giorgio

Act Three

Scene 1
- Hurricane
- Scene ‘Son savo, alfin son salvo’ - Arturo, Elvira
- Romance ‘A una fonte’ - Arturo, Chorus

Scene 2
- Scene ‘Fini … me lassa!’ - Elvira, Arturo
- Duet ‘Arturo? Si, è desso!’ - Elvira, Arturo
- Finale III ‘Ancor s’ascolta questo suon molesto!’ - Arturo, Elvira, Chorus

Scene 3
- (Finale III cont.) ‘Arturo? Lo sciagurato!’ - Riccardo, Giorgio, Elvira, Arturo, Chorus

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

All monologues are the property and copyright of their owners.. Monologues are presented on StageAgent for educational purposes only. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor.

Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

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Themes, Symbols & Motifs

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Guide Written By:

Wendy Silvester

Wendy Silvester

Singer and vocal coach based in the UK.