L'incoronazione di Poppea (The Coronation of Poppea)

The beautiful Poppea has caught the eye of the emperor Nerone (Nero), and he has fallen devotedly in love with her. He believes his wife, Ottavia, is barren, and the coldness she offers him is in such opposition to Poppea’s open warmth and affection. The decision is easy: he intends to make Poppea his wife, making her empress of Rome. Carrying out this task simply means removing any obstacles in his way, like his wife, and the old moralising philosopher, Seneca.

But, Poppea had a lover before Nerone. Ottone (Otho) has been away for several years, and returns to find himself replaced by the emperor. No amount of pleading with his beloved Poppea will make her remember her feelings for him: her ambition to become queen is far too strong. Ottone tries desperately to forget her, even starting a relationship with Drusilla instead. However, when Ottavia gives Ottone the order to kill her husband’s lover, Ottone cannot go through with it. No matter how much it hurts, he still loves her, and for that love he finds himself in exile, by order of the emperor. Ottavia’s crime is also discovered, and she is banished from the kingdom, leaving Poppea to become the new empress of Rome.

L’incoronazione di Poppea continues to delight audiences with its distinct presentations of real human emotions, and its unusual outcome: morality is punished whilst immorality reigns.

Sinfonia

Prologue

• ‘Deh, nasconditi, oh Virtu’ - Fortuna, Virtu, Amore
• Act 1
• ‘E pur io torno qui, qual linea al centro’ - Ottone
• ‘Chi parla? Chi parla?’ - Ottone, Soldati Pretoriani I & II
• ‘Signor, deh, non partire!’ - Poppea, Nerone
• ‘Speranza tu mi vai’ - Poppea, Arnalta
• ‘Disprezzata Regina’ - Ottavia, Nutrice
• ‘Ecco la sconsolata donna’ - Seneca, Ottavia, Valletto
• ‘Le porpore regali imperatrici’ - Seneca, Pallade
• ‘Son risoluto, insomma’ - Nerone, Seneca
• ‘Come dolci, signor, come soavi’ - Poppea, Nerone
• ‘Ad altri tocca in sorte’ - Ottone, Poppea, Arnalta
• ‘Otton, torna in te stesso!’ - Ottone, Drusilla

Act 2

• ‘Solitudine amata’ - Seneca, Mercurio
• ‘Il comando tiranno’ - Liberto, Seneca
• ‘Amici, e giunta l'ora’ - Seneca, Famigliari
• ‘Sento un certo non se che’ - Valletto, Damigella
• ‘Or che Seneca e morto’ - Nerone, Lucano
• ‘I miei subiti sdegni’ - Ottone
• ‘Tu che dagli avi miei’ - Ottavia, Ottone
• ‘Felice cor mio, festeggiami in seno!’ - Drusilla, Valletto, Nutrice
• ‘Io non so dov'io vada’ - Ottone, Drusilla
• ‘Or che Seneca e morto’ - Poppea, Arnalta
• ‘Oblivion soave’ - Arnalta
• ‘Dorme, l'incauta dorme’ - Amore
• ‘Eccomi trasformato’ - Ottone, Amore, Poppea, Arnalta

Act III

• ‘O felice Drusilla’ - Drusilla
• ‘Ecco la scellerata’ - Arnalta, Littore, Drusilla, Nerone
• ‘No, no, questa sentenza’ -Ottone, Nerone, Drusilla, Littore
• ‘Signori, hoggi rinasco’ - Poppea, Nerone
• ‘Addio Roma!’ - Ottavia
• ‘Oggi sara Poppea’ - Arnalta
• ‘Ascendi, o mia diletta’ - Nerone, Poppea, Consoli, Tribuni, Amore, Venere, Coro di Amori)
• ‘Pur ti miro’ - Poppea, Nerone