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School Girls; Or, The African Mean Girls Play logo

School Girls; Or, The African Mean Girls Play

Play

Overview

Synopsis

At the prestigious Aburi Girls’ Boarding School in Ghana, Paulina, the undisputed queen bee of her senior class, has set her sights on winning the Miss Ghana pageant. Encouraged by her clique of loyal friends, she eagerly awaits the arrival of a recruiter who will select the school’s candidate for the national competition. With her beauty, charm, and fierce ambition, Paulina seems destined to claim the crown and secure a bright future beyond the school walls.

The status quo shatters when Ericka, a new student who recently moved from America, enters the school. Bright, attractive, and effortlessly popular, Ericka immediately captures the attention of both the recruiter and Paulina’s social circle. As tension mounts between the two girls, long-standing anxieties about western beauty standards, colorism, privilege, and self-worth come to the surface, forcing the teenagers to confront the deep-seated pressures of fitting in.

Bursting with sharp comedic dialogue and vibrant energy, Jocelyn Bioh’s biting play offers a nuanced look at the universal struggles of teenage girlhood. Balancing humor with poignant social commentary, the story explores how societal standards impact young women as they fight for recognition, acceptance, and their own sense of identity.

Show Information

Category
Play
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
1
First Produced
2017
Genres
Comedy
Time & Place
Aburi Girls Boarding School - located in the Aburi Mountains in Central Ghana. The year is 1986.
Cast Size
medium
Ideal For
All-Female Cast, College/University, Community Theatre, Diverse Cast, Ensemble Cast, High School, Regional Theatre, Includes Late Teen, Early Teen, Adult, Mature Adult Characters, Medium Cast

Context

Characters

Character Portrayals

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Monologues

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Scenes

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Themes, Symbols & Motifs

Discussion Questions

Big Question

How do internalized standards of beauty and success shape the ways young women treat themselves and one another?

Discussion Questions

  1. How do Paulina’s status and leadership within the group at Aburi Girls' Senior High School set the tone for how the other girls behave and interact?
  2. In what ways does Ericka's arrival immediately alter the dynamic among the girls, and why does her presence threaten Paulina’s sense of security?
  3. How does the play explore the concept of colorism, and how do different characters respond to the preference for lighter skin tones in the beauty pageant selection process?
  4. What role does Headmistress Francisca play in navigating the expectations of foreign beauty pageants while trying to protect and support her students?
  5. How does Paulina’s decision to use skin-bleaching cream reflect the pressure she feels to meet specific standards of beauty, and what does it reveal about her deeper insecurities?
  6. Why is the pageant recruiter, Eloise Amponsah, such a pivotal figure in the play, and what does her character suggest about how adult authority figures reinforce harmful societal standards?
  7. How does the humor throughout the play balance or heighten the serious issues of colorism, Western influence, and teenage insecurity?
  8. In what ways do characters like Ama, Mercy, Nana, and Gifty navigate the tension between staying loyal to Paulina and expressing their own individual desire for approval?
  9. How does the setting of a 1980s Ghanaian boarding school highlight the global impact of Western media, fashion, and pop culture on young women’s self-perception?
  10. By the end of the play, how have the relationships among the girls evolved, and do you think Paulina is left fundamentally changed by the outcome of the pageant selection?
  11. What message does the play convey about the difference between superficial representation and authentic empowerment for African women on a global stage?
  12. Think about a time when you or someone you know felt pressure to change an aspect of your appearance or personality to fit in; how did that experience affect your relationships with your peers?

Key Terms

    Colorism is a form of prejudice or discrimination in which individuals with lighter skin tones are treated more favorably than those with darker skin tones within the same racial or ethnic group. Rooted in colonial systems and reinforced by global media standards, colorism creates deep social stratifications and internal inequalities.

    Relating to gender equality, often a theme or character perspective in plays that challenge patriarchal norms.

    Feminist theatre is a form of drama that highlights women’s experiences, challenges patriarchal structures, and advocates for gender equality on stage. It often portrays strong, independent female characters and critiques the limitations historically placed on women in society and theatre. Productions in this genre aim to empower audiences and inspire social change through performance.

    Skin bleaching refers to the practice of using chemical substances, creams, or soaps to lighten one's skin tone in pursuit of a fairer complexion. This practice carries significant health risks and is fueled by societal pressures that associate light skin with beauty, success, and high social standing.

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