Skip to main content
Director's Nightmare logo

Director's Nightmare

Play

Overview

Synopsis

It’s five days before the premiere of the non-musical version of Les Misérables, and high school drama director, Chris, has actors who are still on script, cast members absent from rehearsal, a sick stage manager, an unbuilt set and only twelve dollars left in the budget. Oh, and the principal is bringing the superintendent on opening night to see if funding for the drama program for the district should be cut. It’s a director’s nightmare, but Chris tells the cast and crew about a pocket watch from her great-grandfather that is known to help turn everything around. As the rehearsal progresses, it seems as if even the watch can’t fix this mess. Dante keeps alternating between a French, British, and Southern accent; Gina decides to pretend to be a door; Lily begins to speak for the baby doll; and Ed, the set designer, brings on a volleyball net and tells Chris to think of it as the barricade. Will the nightmare ever end?

Show Information

Category
Play
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
1
First Produced
2017
Genres
Comedy
Settings
Contemporary, Simple/No Set
Time & Place
A bare stage, Present day
Cast Size
medium
Ideal For
High School, Middle School, Mostly Female Cast, Includes Young Adult, Adult, Late Teen Characters, Medium Cast

Characters

Showing 8 of 10 characters

Character Portrayals

See StageAgent members who have performed roles in Director's Nightmare.

Want to be featured on this page? Update your credits.

Monologues

All monologues are the property and copyright of their owners.. Monologues are presented on StageAgent for educational purposes only. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor.

Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher