Empty

Play

New Work
Writers: Sarah Saltwick

Empty

Editor's Note: This is the original script, as shared by the author.

An empty theater, illuminated by the noble GHOSTLIGHT.

GHOSTLIGHT

(singing in a creaky voice)

Goodnight

Goodnight

To all the world, goodnight

Sweet dreams, sweet dreams, to all the world sweet -

A sharp cry from the Curtains.

CURTAIN

Where is Alice?

GHOSTLIGHT

She’s sleeping.

CURTAIN

It. Is. Not. Night.

GHOSTLIGHT

Of course it’s night, I’m on. I’m on during the night. Ergo -

CURTAIN

I can see the sun.

PIANO

How?

The Piano has a melodious voice.

CURTAIN

There’s a crack in the roof that lets the light in. I’ve told Alice about it. She is supposed to get it fixed.

GHOSTLIGHT

I don’t see any light.

PIANO

Can you see clouds?

CURTAIN

I think Alice is in trouble.

She is always here. Other than that week she got married.

GHOSTLIGHT

Ugh, Jeremy, don’t remind me. He was always on his phone. So rude.

CURTAIN

We need to find her.

GHOSTLIGHT

We can’t. How could we? We can’t do anything.

CURTAIN

I do things! I am the beginning and the end of every show.

PIANO

Yes, yes, we know, you’re very important, just critical to everything -

CURTAIN

I require special training! I’m a dying breed you know. Alice says some theaters don’t even have a grand drape, they just have their stages exposed all the time. No magic. No reveal. An embarrassment. You know, when Houdini was here

GHOSTLIGHT

Here we go

The Piano begins to play itself.

CURTAIN

WHEN HOUDINI WAS HERE HE PRAISED MY BEAUTY.

PIANO

I know what to do.

I will play her favorite song.

Then, she will know we are thinking of her.

I will play it as loud as possible.

GHOSTLIGHT

No, no, you’ll wake everyone up -

CURTAIN

It’s the daytime.

PIANO

People are awake.

GHOSTLIGHT

But then why aren’t they here? Why am I still glowing?

CURTAIN

Ask Alice! She’s the one whole knows things.

PIANO

Be quiet both of you.

Piano plays Alice’s favorite song.

It is not something traditionally beautiful.

It is not Claire de Lune.

It’s Shake it Off by Taylor Swift.

The kind of song that gets in your head and you can’t help but sing when you are alone.

It sounds pretty good on the piano.

Curtain and Ghostlight join in singing, although they can’t quite remember the lyrics.

They sway, it becomes almost a shared dance.

CURTAIN & GHOSTLIGHT

Shake it off, off, off, off, shake it off off off

GHOSTLIGHT

What is it?

CURTAIN

It is the haters

PIANO

No, it is the hate - the haters are referred to elsewhere in the song.

CURTAIN

It’s the same thing

PIANO

It’s not!

CURTAIN

I’m going to shake you off.

And the curtain shakes.

Ghostlight laughs.

CURTAIN

What if she forgot about us?

What if she doesn’t care anymore?

What if she ran off with Jeremy and had a baby and has a whole new life that we can’t see because we’re stuck here and the little crack that lets light in that I told her to fix because it’s fading my red slowly but surely, this little crack doesn’t let me see anything but sky!

GHOSTLIGHT

Does she like babies?

PIANO

Lots of people don’t like babies until they have their own. Then something changes.

GHOSTLIGHT

I think if she had a baby, she would bring it here.

Especially if there was no audience here, if it was just her and us.

If we were between things.

She’d let it running up and down the aisles, if it was a running kind of baby.

She would let it up on stage.

She would let it play you Piano.

PIANO

Happily.

GHOSTLIGHT

She would tell the baby stories. About Houdini

CURTAIN

Who praised my beauty

GHOSTLIGHT

And the time she slept here

CURTAIN

Because of snow

GHOSTLIGHT

And the time there were so many drums the walls shook and part of the ceiling fell

CURTAIN

It was scary

PIANO

It was wonderful.

GHOSTLIGHT

I think she’d tell the baby all kinds of stories. If the baby liked stories.

CURTAIN

Babies like stories. Everyone does.

PIANO

They do, don’t they? Humans just love stories. Good ones. Bad ones. Even the ones that go on and on, sometimes people live but more off they stay.

CURTAIN

Sometimes it’s cold outside and they don’t want to go home.

PIANO

It’s not just that. They like it here. I think they love it here.

GHOSTLIGHT

I wish I could see the audience.

All I see is Alice.

It is quiet. Oh so quiet.

A bottle of hand sanitizer rolls on stage.

PIANO

What is that?

CURTAIN

Someone didn’t put their prop away!

PIANO

I don’t think it’s a prop, it doesn’t look very theatrical.

CURTAIN

Use your imagination.

PIANO

And it smells like alcohol.

CURTAIN

Alcohol is theatrical.

GHOSTLIGHT

It says hand sanitizer. What does sanitize mean?

PIANO

It means to make sane.

CURTAIN

No, no, it’s about cleaning.

PIANO

That bottle is too small to clean anything big.

CURTAIN

Well, it’s certainly too small to make anyone sane if they aren’t already.

GHOSTLIGHT

I see more out there. In the seats. I can smell it too.

It smells bad. Terrible, actually.

I don’t think Alice is coming.

I don’t think anyone is coming.

PIANO

They always come. It just take time.

GHOSTLIGHT

But time has passed. Time has been passing. Life has been moving and we’re just stuck here. Is the sun still up? Is there still light?

CURTAIN

There’s less than before.

GHOSTLIGHT

Alice isn’t coming.

No one is coming.

That smell. It’s not a good smell.

It’s too clean. It’s too clean for us.

PIANO

Stop it! You’re supposed to be the hopeful one! You’re our light in the dark -

The piano begs to play a troubling melody, dark and panic’d. The Ghostlight flicks on and off.

CURTAIN

Listen to yourself - it’s over! Time give up the ghost! Time for the final bow! It’s curtains, curtains for all of us, Goodnight sweet prince, good night to all that is rotten, good night to bad timing, good night to bad reviews, good night to missed cues, good night to everything precious, I’ll miss you but the show can’t go on if we’re alone —-

The curtain drops.

A flood of beautiful red velvet.

It is so big and so rich.

Beautiful.

You can see why Houdini admire its beauty.

And then -

The stage speaks with a rich voice.

STAGE

There, there, I’ve got you. I’ve got you. It’s all right. It’s all right. You’re safe now.

This has happened before.

Not exactly like this.

But enough like this.

For me to know it.

This will happen again.

Not exactly like this.

But enough like this.

For me to know it again.

And it is alright to be sad.

To be scary.

We are not used to being alone.

To have our purpose vanish.

It is alright.

But let me tell you now, there have been many times of great nothingness.

There have been times of a large quietness.

I thought the quiet would never end.

And yes, I hated it.

I hate it now.

I like the sound of footsteps.

I like the sound of laughter.

I like the sound of words that have never been said in this exact order being said for the first, second, third time.

I like hearing words I haven’t for years being said again by new voices.

I like songs.

PIANO

Me too.

STAGE

I love you Piano.

I love you Curtains.

I love you Ghostlight.

Now is a quiet time.

But this is not forever.

This is just now.

A rumbling sound.

CURTAIN

Is that applause?

STAGE

That is the rain.

Listen.

End of play.